Moonjung is a caregiver who has a son in middle school. After getting divorced, she can’t bear to bring him to her house, a plastic greenhouse she has converted into a home. She strives to raise the necessary funds to move into a real home for her and her son.
Hae-su works at a factory on the outskirts of Seoul. Returning home from work, she makes a phone call that goes to voicemail; nearing her residence, another phone call comes in, but she doesn't pick up. Inside the house is her mother's body—she died from mysterious circumstances. A knock on the door goes unanswered, but when a plainclothes police officer arrives, Hae-su lets him in. An exchange of documents, uncertain glances. With Hae-su and her tempermental brother the only attendants at her mother's funeral, there are more questions than answers.
Ye-eun came up to Seoul to meet Sa-rang, who she met through chatting. Ye-eun still feels awkward about having sex with the same sex. While drinking, Sa-rang and Ye-eun have a conversation. The moment she tries to have sex, Ye-eun breaks the mood with futile words.
Su-min who finally passed the university dormitory and Han-byul who failed. Hanbyul's father's abuse of power changes the situation between the two. Su-min from low-income families who have nowhere to go and Han-byul, who doesn't want to live in dormitories, will apply for the Hawaii Exchange Student Program and compete for the last one.
A wealthy couple seeks to secretly adopt the unborn child of an impoverished and troubled rural teenager, in this slow-burning and ultimately shocking drama from writer-director Albert Shin.
