Shotaro Yoshida

The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

Com base em registros políciais e no premiado livro escrito por Ryuzo Saki, este filme relata a terrível onda de crimes de Iwao Enokizu, um homem vazio sem "kokoro", que significa em japonês, tanto "eu" como "coração". O funcionário insatisfeito, Enokizu mata várias pessos, sem qualquer razão e consegue escapar da polícia, mesmo com seu rosto celebrizado em todo país. Mas, seu pai e sua esposa, que sabem do seu segredo, tentam viver tranquilos. Depois de realizar vários documentários, insatisfeito com as limitações da forma narrativa, Shohei Imamura criou este filme. Aparentemente, um drama policial simples, Minha Vingança incorpora vários toques surrealistas, incluindo um final em que a "lei da gravidade" é esquecida.

The heir to a family fortune discovers that a curse has been placed on it, put there centuries before by a band of samurai warriors. Adaptation of novel by Seishi Yokomizo

Two detectives are tasked to investigate the murderer of an old man, found bludgeoned to death in a rail yard.

Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.

If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plane - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.

Owner and workers of a tiny medicine factory fall in love with a lovable girl.

Japanese comedy film.

One day a company executive learns that his younger brother, whom he recommended, embezzled company funds. To save the situation he withdraws his life savings and gives money to his younger brother. He then suddenly disappears…

A musical romance.

Life of a bachelor gynecologist in a hospital for women.

As Japan is preparing to host the Olympics, a gang member wanting to go to America is sought after by the police after helping his friend conduct a robbery.

Japanese comedy film.

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.

A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..

A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.

Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.

A story of an ardent young man who laid down his life for his country.

Now an old man, Masao returns to his childhood home and begins to recall his upbringing in this abandoned sector of Japan.