Katja Majer

Filmes

Quem Canta Seu Mal Espanta
Editor
Situado na Zagreb pré-Segunda Guerra Mundial, a história é vista através dos olhos de Perica Šafranek de 6 anos de idade (interpretado por Tomislav Žganec). Um dândi de Zagreb, Fulir (interpretado por Relja Bašić), começa a flertar com a mãe de Perica durante um piquenique familiar. No início, o pai de Perica não percebe nada, mas quer se casar com a tia de Perica, então ele convida o homem para sua residência. Depois de vários encontros, o pai de Perica toma consciência das tentativas de Fulir de seduzir sua esposa.
The Fed One
Editor
Group of concentration camp prisoners is being constantly tortured by their Kappo. Since they are too weak to stand against him, they pick the strongest among themselves and feed him with parts of their rations.
An Event
Editor
A grandfather and his grandson go to a fair to sell a horse. A ranger and his vicious partner, Matijevic, follow them as they return home in order to rob them. The confrontation takes place in the forest.
Carnation
Editor
This observational documentary about carnation pickers at one of Split plantations does not have a single line of dialoguel not a single commentary or any kind of intervention in life apart from exclusion of colour belonging to it after the first introductory close-ups of the flower itself.
Choreography for a Camera and Dancers
Editor
The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a composition by Ivo Malec "Miniatures for Lewis Carroll", and the dance is performed by the members of the Studio for Contemporary Dance who, in black suits and white surroundings, seem to float in the space captured by the eye of the camera.
Kaya
Editor
An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.
People (Passing) II
Editor
The concept of the film "People (Passing) II" can best be described as an ultimate dynamic of visual and acoustic rhythm with a texture which consists of people passing, standing, sitting, laying, swinging, fukmed by static, mobile, at times intrusive, but always with a highly suggestive camera.
From 3 to 22
Editor
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.