Katja Majer

Set in pre-World War II Zagreb, the story is seen through the eyes of 6-year-old Perica Šafranek (played by Tomislav Žganec). A dandy from Zagreb, Mr Fulir (played by Relja Bašić), starts flirting with Perica's mother during a family picnic. At first, Perica's father doesn't notice anything, but wants to marry off Perica's aunt, so he invites the man to their residence. After multiple rendezvous, Perica's father becomes aware of Fulir's attempts to seduce his wife.

Group of concentration camp prisoners is being constantly tortured by their Kappo. Since they are too weak to stand against him, they pick the strongest among themselves and feed him with parts of their rations.

A grandfather and his grandson go to a fair to sell a horse. A ranger and his vicious partner, Matijevic, follow them as they return home in order to rob them. The confrontation takes place in the forest.

This observational documentary about carnation pickers at one of Split plantations does not have a single line of dialoguel not a single commentary or any kind of intervention in life apart from exclusion of colour belonging to it after the first introductory close-ups of the flower itself.

The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a composition by Ivo Malec "Miniatures for Lewis Carroll", and the dance is performed by the members of the Studio for Contemporary Dance who, in black suits and white surroundings, seem to float in the space captured by the eye of the camera.

An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.

The concept of the film "People (Passing) II" can best be described as an ultimate dynamic of visual and acoustic rhythm with a texture which consists of people passing, standing, sitting, laying, swinging, fukmed by static, mobile, at times intrusive, but always with a highly suggestive camera.

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.