Editor
How much money does one need to be rich? For David Blech, all the money in the world couldn't buy peace of mind. Mental Illness and addiction are the powerful nemesis that brings down the one-time King of Biotech.
Director of Photography
How much money does one need to be rich? For David Blech, all the money in the world couldn't buy peace of mind. Mental Illness and addiction are the powerful nemesis that brings down the one-time King of Biotech.
Director
How much money does one need to be rich? For David Blech, all the money in the world couldn't buy peace of mind. Mental Illness and addiction are the powerful nemesis that brings down the one-time King of Biotech.
Editor
Ash Wednesday is set in the Manhattan of the early 1980's and is about a pair of Irish-American brothers who become embroiled in a conflict with the Irish Mob.
Editor
Um grupo de TV acompanha o dia-a-dia de seis jovens nova-iorquinos, na intenção de realizar um documentário. Os escolhidos são Tommy (Edward Burns), um produtor de TV bem-sucedido; Maria (Rosario Dawson), uma professora; Ben (David Krumholtz), um músico esforçado; Griffin (Stanley Tucci), um dentista que é casado com Annie (Heather Graham); e Ashley (Brittany Murphy). Eles compartilham suas experiências amorosas e da própria vida, tendo suas vidas conectadas entre si.
Editor
Pavarotti & Friends for Guatemala and Kosovo
Editor
When Bill catches his girlfriend and her boss in bed, an unusual cure for impotence is found.
Editor
After escaping Russia's communist revolution, Leon Theremin travels to New York, where he pioneers the field of electronic music with his synthesizer. But at the height of his popularity, Soviet agents kidnap and force him to develop spy technology. Steven M. Martin writes and directs this intriguing documentary about a man's "strange" music and his very interesting life as an inventor and influential musician.
Editor
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
