Director of Photography
The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.
Director of Photography
Director of Photography
The twins Eden and Léandro were born severely premature. Once out of the belly of their mother, Laurence, they find themselves propelled into the hostile and worrying world of the hospital, full of the sounds of machines and of doctors in white coats. As the weeks pass in the neonatal service, mother and children fight for survival. Haemorrhages, respiratory problems… Surrounded by the medical team, Laurence lives to the rhythm of the twins, caught between the hope for improvement, fatigue, the ever-present possibility that things will go wrong and the fear they will die. The bond between mother and children is organic, vital. Together, they fight fiercely for life.
Director of Photography
Léo está dormindo com Louis, Ana com Hugo, Dalhia com Graciano e Arthur com todo mundo. Os personagens se cruzam na aleatoriedade da noite de Bruxelas. Casais são feitos e desfeitos, experimentando uma sexualidade sempre em evolução, buscando um tipo de amuleto que os faça sentir vivos.
Laurent Micheli filma de forma quase teatral o mal-estar de sua geração: uma sociedade insegura que, a sua maneira, está tentando reinventar o sexo e o amor.
Director of Photography
In Fabrizio Terranova’s film, Donna Haraway – an original thinker and activist, one of the founders of cyberfeminism and the author of A Cyborg Manifesto, which proposed a number of innovative theories about the existence of scientific knowledge – calls for the abandonment of the idea of human exceptionalism and for a conception of the world as complex web of interconnections between people, animals and machines. Jellyfish can be seen flying around her home while she discusses the stories that are necessary for Earth’s preservation and reads her fantastic tale of the art of survival on a broken planet, and of fusion and care between the species.
