Tatsuya Yoshimura

Filmes

Life Back Then
Assistant Director
Kyohei Nagashima (Masaki Okada) has shut away the world. During his high school days he was the target of bullying and experienced horrifying moments. Now as a young adult Kyohei takes a new job. He works for a company that specializes in cleaning out the homes of recently deceased individuals. With his new job Kyohei meets co-worker Yuki (Nana Eikura). Yuki has also experienced a traumatizing event as a teen and has also shut herself away from the world. These two young people form a bond as they go through the homes of the recently departed people. They gradually open up to each other and in the process to the world. Yet, their fragile psyches may or may not be ready for such changes ...
Déracine
Assistant Director
A mysterious street-painter, Jouji, wanders aimlessly, homeless. Together with his homeless pals, he makes his living by selling his paintings on the street. His paintings, dynamically exploding on pieces of cardboard, catch the eyes of Kyoko, an art dealer. He can feel alive only if he keeps painting, but unable to find something to fill his void inside, he tries to drown himself in alcohol. Drawn to Jouji, Kyoko commissions him to paint for her. The two travel to a secluded mountain-side, and there Jouji becomes inspired both by the natural surroundings and Kyoko herself.
A Blue Automobile
Assistant Director
Aoi Kuruma (A Blue Automobile) focuses on such a character - a part-time DJ and record-store employee named Richio (Arata). With his spiky yellow hair, wrap-around shades and pale mask of a face, Richio would seem to be an icy moon circling the distant planet of his own regard. But as Okuhara shows us from the first scene, Richio has been traumatized by a boyhood horror - and still bears the physical scars on one eye, the emotional scars in dreams and visions he can neither escape nor explain away. The sunglasses and mask are there for a reason, the pain and rage are real. At the same time, he has a straightforwardness that verges on the cruel - but this is also one of his most appealing qualities.
License to Live
First Assistant Director
Yutaka was fourteen years old when he was run over by a car and fell into a coma. Now, ten years later, he wakes up and realizes that his family is not intact anymore: father, mother and sister live at different places. Yutaka decides to re-open the pony farm that his family once ran.
Eyes of the Spider
Assistant Director
Nijima, a white-collar worker, finds the man responsible for his young daughter’s murder. He tortures and interrogates the man, who maintains his innocence, before killing and burying him. He returns to his ordinary life feeling listless and hollow, until he meets an old friend who introduces him to his hapless band of hired killers.
Suit Yourself or Shoot Yourself: The Hero
Assistant Director
Yuji and Kosaku become involved with a brother and sister who want to drive a local yakuza gang member out of their neighborhood.