Rana Eid

Nascimento : , Beirut, Lebanon

Filmes

Perdida no Deserto
Sound Designer
Presa no deserto depois de uma festa secreta, uma jovem precisa enfrentar um camelo vingativo e outros desafios para chegar em casa no horário combinado.
A Morte do Demônio: A Ascensão
Sound Effects Editor
Duas irmãs distantes cujo reencontro é interrompido por demônios devoradores de carne que aparecem de repente, levando-as a uma batalha primal pela sobrevivência, enfrentando a versão mais assustadora que se possa imaginar de uma família.
The Burdened
Sound Designer
When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.
Mariupolis 2
Sound Mixer
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.
Mariupolis 2
Sound Editor
In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.
Farha
Sound Designer
É 1948. Farha, uma menina de 14 anos, sonha em ir à escola na cidade com sua amiga Farida, mas ela sabe que, como é filha de um mukhtar, o chefe da vila, é esperado que ela se case, mas quer ir contra essas leis. Mas com os ingleses saindo do país, bombas israelenses chegam a sua vila e seu pai a tranca no porão da casa, prometendo a voltar assim que puder. Enquanto Farha olha pelas rachaduras e espera pelo pai, ela vê sua vila, que tanto queria sair, ser destruída, ameaçando seus planos que tinha para o futuro.
Caixa de Memórias
Sound Designer
Berlinale 2021. A vida de Alex, filha e neta de emigrantes do Líbano, sofre uma reviravolta quando uma caixa de memórias misteriosas chega à porta de sua casa no Canadá, abrindo a porta para uma época desconhecida do passado de sua mãe.
All This Victory
Sound
Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village. As the ceasefire is quickly broken, Marwan finds himself under the rain of bombs and takes shelter in a house with a group of elders. Suddenly, a group of Israeli soldiers enter the first floor. Trapped in the house and hostages of their own fears, the next three days will see the situation spiral out of control.
1982
Sound Designer
Durante a invasão do Líbano em 1982, em uma escola particular nos arredores de Beirute, Wissan, um estudante de 11 anos tenta declarar seu amor para uma colega de turma, enquanto professores de diferentes posições políticas lutam para controlar e disfarçar seus medos.
Honeyland
Sound Editor
Quando os apicultores nômades quebram a regra básica da Honeyland (pegue metade do mel, mas deixe metade para as abelhas), a última mantenedora na Europa deve salvar as abelhas e restaurar o equilíbrio natural.
What Happens to a Displaced Ant
Sound
A nurse who has just fallen in love sets off to the Mediterranean to help rescue refugees. Her thoughts drift from her new love to the people she wants to save...
Panoptic
Sound Designer
Atravessando o metrô de Beirute, Panoptic explora a esquizofrenia do Líbano. Representando uma nação prosperando para a modernidade, ignorando os vícios impedindo que ele alcance seu objetivo, a diretora Rana Eid examina esse paradoxo através de monumentos sonoros, icônicos e esconderijos secretos.
Panoptic
Writer
Atravessando o metrô de Beirute, Panoptic explora a esquizofrenia do Líbano. Representando uma nação prosperando para a modernidade, ignorando os vícios impedindo que ele alcance seu objetivo, a diretora Rana Eid examina esse paradoxo através de monumentos sonoros, icônicos e esconderijos secretos.
Panoptic
Director
Atravessando o metrô de Beirute, Panoptic explora a esquizofrenia do Líbano. Representando uma nação prosperando para a modernidade, ignorando os vícios impedindo que ele alcance seu objetivo, a diretora Rana Eid examina esse paradoxo através de monumentos sonoros, icônicos e esconderijos secretos.
Falling Is Not Collapsing, Falling Is Extending
Sound Designer
Marwa Arsanios’ video Falling Is Not Collapsing, Falling Is Extending is an investigation into the changing landscape of Beirut, the city where she lives and works. After the closure of a major municipal landfill site in 2015, thousands of tons of rubbish clogged the streets of Beirut. This led to public outcry, protests and accusations of government corruption. Since the 1990s, in the years following the end of the Lebanese Civil War, Beirut has been rapidly reshaped by property developers. Using strategically placed rubbish dumps, the surrounding land is devalued and left open for redevelopment. The aftermath of this process is the subject of the film, a portrait of a contested urban environment that connects the crisis with the city’s property boom.
La route du Nord
Sound Editor
Roubama
Sound Designer
He is a refugee. She is a city girl.
Here and Perhaps Elsewhere
Sound
During the Lebanese civil war, thousands of people disappeared. In most cases, the bodies were not found and the circumstances of their disappearance never known. Today, I travel through Beirut, asking the inhabitants I encounter, one same question: Do you know anyone who was kidnapped here during the war? My investigation carries me through the many districts around the "Green line", which used to divide Beirut between East and West, and where militias set up their checkpoints, the scenes of many kidnappings, and crimes. I thereby attempt to trigger the process of memory and to reveal the multiplicity of existing discourses on the war and the immensity of the drama. As I cross town and discover places laden with history, I draw a personal map of this city.