Vladimir Nikiforov

Having quarreled with his son, Tsar Ivan the Terrible accidentally wounds him - as in the famous painting by Repin. The life of the prince is in the balance. To fix everything, Grozny wants to go back in time with the help of a magical grimoire. However, something went wrong, and Grozny finds himself in our time, where he meets the Osipov family. Nikita Osipov is an unsuccessful archaeologist and an equally unsuccessful father. He had long lost contact with the children - Romka and Polya. But now they are on a journey together to help Grozny find the grimoire and save the prince.

The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.

The story of how a son gets a second chance to find a mother. About how war generates only human grief and creates unhealed wounds. The hero of the picture, 40-year-old Walter, left his native land for several years and works as a foreman at one of the Moscow construction projects. He builds not only houses in Russia, but also tries to build his new life. However, one day a phone call from his homeland breaks all his plans. Walter learns that the hostilities have reached the village in the mountains where his mother lives.

As long as the fans live, hope won't die. They are fans of the hockey Lokomotiv from Yaroslavl. People forever loyal to the club. Hockey players' wives, stadium staff, young athletes and fan movement veterans who have been singing in the stands for several decades. In honor of the opening of the new season of the Kontinental Hockey League, the army of Lokomotiv fans is sent to Minsk for the first match of the tournament to support the team. None of them knows that this trip will change everyone's life forever, and the tragedy that will happen to Lokomotiv will divide the sports world into “before” and “after”.

By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.

An ordinary working class boy, like all his peers, he played football day and night and dreamed of being a striker. But no matter which team he played for - in the yard, at the factory, or in the army - he was inevitably put in goal.

Um jovem oficial da Primeira Guarda de Pedro I, Ivan Demarin, sob as instruções do czar, é enviado às profundezas da Sibéria - para a fronteira com Tobolsk. Lá, Ivan encontra seu primeiro amor e, junto com seu regimento, se vê arrastado para uma conspiração por príncipes locais, que buscam o ouro de Yarkand. Sua fortaleza é cercada por hordas de selvas selvagens e não há lugar para esperar por ajuda.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

Durante a guerra russo-japonesa, em 1904, Sergey Karenin (Kirill Grebenshchikov), chefe de hospital, descobre que um dos oficiais feridos sob sua supervisão é o conde Vronsky (Max Matveev), a pessoa que arruinou sua mãe, Anna Karenina (Elizaveta Boyarskaya). Agora, ele procura maiores informações sobre o amante da mãe e que razão a levou a desistir da vida.

Durante um terrível período de guerra e de intensos conflitos bélicos, as vidas de três pessoas acabam se cruzando: Olga (Yuliya Vysotskaya), uma aristocrata russa e membro da resistência francesa; Jules (Philippe Duquesne), um francês; e Helmut (Christian Clauss), um oficial de alta patente dentro das tropas nazistas.

Yuli Ivanovich Blok is a music lover and enthusiast of early sound recording, who in 1889 was the first to bring Edison's phonograph to Russia, came up with the idea to record the great pianist Anton Rubinstein's playing on a phonograph. But the pianist flatly refused to sign up. Then those present, among whom was Pyotr Ilyich Tchaikovsky, just started messing around with the device, recording everything that comes to mind. The film is based on a famous case that occurred in January 1890.

A story about a friendship between talented famous musician and eleven years old girl.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

A group of journalists are traveling through the different places and different times trying to solve historical mystery.

WWII mini-series

Após ter sobrevivido em uma batalha com um misterioso tanque fantasma conhecido como Tigre Branco, o sangento russo Ivan Naydenov se torna obcecado com a sua destruição.