Paco Martínez

Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?

A group of guys face the problems of daily life in a shared house

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

Adult street urchin passes himself off as rich man's long-lost son.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.

Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.

Cantinflas, um "teso" mexicano que ganha a vida como ele pode, aceita um trabalho como um mágico, como um adivinho do passado, o presente e o futuro dos outros... mas é incapaz de adivinhar as dificuldades que o aguardam quando aceita substituir um príncipe oriental, posando como seu duplo. Muitos e poderosos inimigos tentarão matar o suposto príncipe. Dardos envenenados, punhais, pistolas, sequestros, todos os meios são bons para destruir o duplo infeliz do príncipe.

A ambiciosa família Montes tem em sua casa o cientista Archimedes Monteagudo e seu assistente Cantinflas, que cuida do bem-estar de ambos. O professor está prestes a fazer uma grande descoberta: extrair da água do mar os componentes de um combustível que substituiria a gasolina carburex. A Cantinflas, por sua vez, quer descobrir um composto que permita prolongar a longevidade das rosas.

Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.

Legendary superstar María Félix, stars in this melodrama noir playing the role of Raquel, a woman who has a passionate love affair with married aristocrat Antonio. However, a sensual sculpture untitled “The Kneeling Goddess” and modeled after Raquel will lead Antonio down a memory lane he'd rather soon forget.

A mousy, poor manicurist seeks to switch places with her more glamorous, wealthy twin sister.

Priest nags a crusty old man into reconciling with his daughter-in-law and granddaughter after the death of his son.

The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.

A 1941 film directed by Vicente Oroná.

A 1940 film.

Woman faces the vicissitudes of life with her three adult children well in the background. But when the chips are down...

No te engañes corazón (released in English as Don't Fool Yourself Dear) is the first full-feature film of Cantinflas after becoming a star of the carpa circuit (folk theater). It was also one of the earliest films of Sara García and Carlos Orellana and the first where they share the screen. Don Boni (Orellana) is diagnosed with a deadly disease and decides to spend his last days doing good deeds. He leaves his wife and decides to help people. He then gets drunk and wakes up with a winning lottery ticket and realizes that the doctor who diagnosed him has been sent to prison for fraud.

Classic legend of a playboy meeting supernatural comeuppance.

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.

Irrational jealousy blossoms into full-blown psychosis.

16th-century swashbuckler; evil nobleman usurps another man's title and properties and forces his daughter to marry a political ally. But Cruz Diablo will have revenge!

Alfonso, Eduardo and Cristina get lost when visiting a forest. A strange monk finds them and takes them to an ancient convent. There, the three amigos suffer personality changes, specially Cristina who tries to seduce Alfonso in a strange coincidence to a story told by an old monk. After some efforts to escape, Alfonso is trapped inside a jail and more strange and macabre situations happen.

Llorona is a figure unique to Mexican folklore -- the wailing spirit of a woman who lost or killed her child and now returns to seek revenge and haunt the living. With its framing story and flashback structure, this film sets forth a couple of variations of the story.