Monique Mougins
Uma elegante professora tem um ciúme doentio da juventude e beleza da própria filha de 18 anos.
Mother of André
Baseado em uma história verdadeira, 'Kalinka' é sobre a luta de Andre Bamberski para trazer justiça à sua filha Kalinka que morreu em circunstâncias perturbadoras.
Mamie
A Ford Mustang. A brother and a sister. Their grandmother. And a funerary urn.
Huguette
In order to make his little sick brother's dream come true, Leo and his best mates organize a fake score...but on the d day, they make a mistake and the fake score becomes a real hold up.Here starts the extraordinary adventure of PUBLIC Amis.
Rachel
Odile
In the twilight of their life, Odile and Marcel still love each other. Affected by an incurable disease, Odile must be hospitalized. Feeling the end of Odile so close, the couple decided to commit suicide, so not to be separated. The time of a last Sunday.
Margot (75 ans)
Margot and Joseph leave move awy from the city, far from everything, and renovate an old house in which they hardly settle down. One day, the earth begins trembling and time stops, congealing Joseph in his fall from the roof of the house. He remains congealed in space and time, but continues nevertheless to fall slowly towards the ground. Margot,she, does not seem to undergo this experience and continues to live, hoping that Joseph starts moving again at a normal speed.
Old Lady in Bed
O filme centra-se em Bazil (Danny Boon), que vê a sua vida virar do avesso ao ser atingido por um tiro na cabeça. Quando sai do hospital, sem dinheiro e sem casa, acaba por ser acolhido por um excêntrico bando de ex-condenados, que preparam uma vingança contra os fabricantes de armas.
Woman with shopping bag
French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.
