Michael Lockridge

Filmes

We Can Be Heroes
Cinematography
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
Get Away If You Can
Cinematography
Hopeful that an open-ocean sailing trip might relight the spark of their passion, a troubled married couple hits a breaking point when one's refusal to explore a foreboding deserted island sends them on a deep internal journey that will soon require drastic decisions in order to survive.
Magic in the Mountains
Director of Photography
Magic in the Mountains tells the remarkable underdog story of how Squaw Valley, a little-known ski area in California, won the bid for the 1960 Winter Olympics and, with the help of Walt Disney, changed forever the ways in which the Games were presented. The documentary features never-before-seen archival footage from the 1960 Olympic Games and revealing interviews with participating athletes and attendees. The 1960 edition of the Olympics introduced a substantial array of “firsts,” including such innovations as live broadcast, instant replay, sponsorships, and an official Olympic Village for the athletes. Perhaps most importantly, thanks to Disney’s involvement in producing the Games, Squaw Valley featured an unprecedented — but soon to be standard — level of pageantry for the opening and closing ceremonies.
Madtown
Director of Photography
A scientist has a revelation after his dog dies and leaves his job to start walking dogs.
White Walls Say Nothing
Director of Photography
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
Buddymoon
Director of Photography
When David is left by his fiancé just days before the wedding, his relentlessly upbeat best man, Flula, insists that the pair go on David's previously planned honeymoon: a seven-day backpacking trip through the breathtaking mountains of Oregon. Their adventures are bookended with passages from William Clark's diary describing his friendship with Meriwether Lewis and the terrain they crossed during their expedition.