Michael Lockridge

Фильмы

We Can Be Heroes
Cinematography
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
Сваливай, если сможешь
Cinematography
Молодая супружеская пара думает, что путешествие на яхте в открытом море сблизит их, но отношения героев достигают критической точки, когда один из них отказывается исследовать необитаемый остров. Героев ждет опасное приключение, которое вскоре потребует решительных действий, чтобы выжить.
Magic in the Mountains
Director of Photography
Magic in the Mountains tells the remarkable underdog story of how Squaw Valley, a little-known ski area in California, won the bid for the 1960 Winter Olympics and, with the help of Walt Disney, changed forever the ways in which the Games were presented. The documentary features never-before-seen archival footage from the 1960 Olympic Games and revealing interviews with participating athletes and attendees. The 1960 edition of the Olympics introduced a substantial array of “firsts,” including such innovations as live broadcast, instant replay, sponsorships, and an official Olympic Village for the athletes. Perhaps most importantly, thanks to Disney’s involvement in producing the Games, Squaw Valley featured an unprecedented — but soon to be standard — level of pageantry for the opening and closing ceremonies.
Madtown
Director of Photography
A scientist has a revelation after his dog dies and leaves his job to start walking dogs.
White Walls Say Nothing
Director of Photography
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
Я, мой кореш и медовый месяц
Director of Photography
Дэвид переживает нелегкие времена: за несколько дней до свадьбы его неожиданно бросила невеста. Его шафер Флула, человек энергичный и жизнерадостный, предлагает Дэвиду не отменять свадебное путешествие. Так двое друзей отправляются в пеший поход по живописным красотам гор Орегона. В пути их ждет много смешных встреч - с укуренным любителем теорий заговора, с совершенно очаровательной туристкой, а также – с кровожадным хищником. Это история настоящей мужской дружбы, которая от смертельных опасностей только крепнет. Действие сопровождается цитатами из дневника Уильяма Кларка, знаменитого первопроходца, который вместе со своим другом Мериуэзером Льюисом когда-то покорял дикие просторы Америки.