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Em 1976, foi criada uma das partes do ciclo gratuito de comédias musicais de Gustav Oplustil sobre Alfons Karásk. Chama-se Era um casamento, tio e o papel principal de Alfons Karásek foi mais uma vez interpretado com entusiasmo por Miloš Kopecký... E ele está de volta - Miloš Kopecký como o velho namorador Alfons Karásek na comédia musical de G. Oplustil e Z. Podskalsky. Desta vez, Alfons é convidado pelo cunhado para o casamento da sobrinha. Tio chega em seu carro chique. No entanto, a festa de casamento ignora sua preocupação ansiosa com o carro e o manda aqui para comprar cerveja, agora para cimento. Embora o tio se oponha, a enérgica dama de honra (I. Janžurová) age com autoridade. O carro sofre, o tio também. Quando os convidados do casamento finalmente decidem partir para a prefeitura, o carro está quase intransitável. Porém, a confusão não para por aí...
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A young woman from an old patrician family in Prague collapses and is institutionalized in a psychic ward. The non-linear narration unveils here fortunes one by one. The prose of Jakub Arbes is the basis for this experimental film poem. The storyline is uncovered in a mosaic of pictures in a purely visual form, without a single word.
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A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
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The age-old story of Don Juan, played by giant puppets.
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Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..
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An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
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A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
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Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
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The Faust legend retold with marionettes.
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