Doris Dörrie
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Writer
Quando um grupo de mulheres completamente veladas descobre com entusiasmo a única piscina ao ar livre para mulheres da Alemanha, as faíscas voam. A atendente da piscina desiste exasperada e um homem é contratado para substituí-la.
Director
Quando um grupo de mulheres completamente veladas descobre com entusiasmo a única piscina ao ar livre para mulheres da Alemanha, as faíscas voam. A atendente da piscina desiste exasperada e um homem é contratado para substituí-la.
Writer
After his return from World War I, there is no more work for Fidelis in his parents' butcher shop in Swabia, Germany. To make a better life for himself and Eva, the former fiancée of a friend who fell in battle, he emigrates to Argus, a town in North Dakota, in the United States. The artist Delphine, in whom Eva will find a friend, also moves there. To relieve Eva's homesickness, Fidelis founds a singing club.
Writer
When everything in his life seems to be going wrong, downtrodden and alcohol-dependent
Karl has a fateful encounter in Munich with Yu, a mysterious Japanese dancer from his father’s
past. Unexpectedly, Yu begins to help Karl confront his demons (both literal and figurative) and
begin to heal.
Director
When everything in his life seems to be going wrong, downtrodden and alcohol-dependent
Karl has a fateful encounter in Munich with Yu, a mysterious Japanese dancer from his father’s
past. Unexpectedly, Yu begins to help Karl confront his demons (both literal and figurative) and
begin to heal.
Writer
Após um romance que terminou mal, Marie, uma jovem alemã, pousa em Fukushima, determinada a mudar o rumo de sua vida. Mas não será nada fácil: Marie sofre para se adaptar não apenas à vida japonesa, mas ainda mais à vida em uma cidade traumatizada. Ela acaba encontrando refúgio ao se aproximar de Satomi, a última gueixa viva da cidade. Marie chega até mesmo a acompanhar Satomi à casa em que esta nasceu, mesmo a casa estando dentro da zona proibida. A relação entre as duas mulheres é tudo, menos fácil, dadas as diferenças culturais e geracionais existentes ali. Mas, pouco a pouco, a amizade verdadeira se desenvolve entre elas.
Director
Após um romance que terminou mal, Marie, uma jovem alemã, pousa em Fukushima, determinada a mudar o rumo de sua vida. Mas não será nada fácil: Marie sofre para se adaptar não apenas à vida japonesa, mas ainda mais à vida em uma cidade traumatizada. Ela acaba encontrando refúgio ao se aproximar de Satomi, a última gueixa viva da cidade. Marie chega até mesmo a acompanhar Satomi à casa em que esta nasceu, mesmo a casa estando dentro da zona proibida. A relação entre as duas mulheres é tudo, menos fácil, dadas as diferenças culturais e geracionais existentes ali. Mas, pouco a pouco, a amizade verdadeira se desenvolve entre elas.
Director
Football seen through the eyes of some of the best directors of the world.
Author
In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between - seen from a bird's-eye perspective.
Director
In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between - seen from a bird's-eye perspective.
Novel
After a series of catastrophically failed marriages, Apple is single again. Blame on Apple's attachment is in her opinion, her mother Ingrid. Because this Apple has punished not only with her hippie name, but was in every way a raven mother. When Ingrid spends an All Inclusive vacation in Spain, her mother and daughter are confronted with a dramatic event from their past.
Screenplay
After a series of catastrophically failed marriages, Apple is single again. Blame on Apple's attachment is in her opinion, her mother Ingrid. Because this Apple has punished not only with her hippie name, but was in every way a raven mother. When Ingrid spends an All Inclusive vacation in Spain, her mother and daughter are confronted with a dramatic event from their past.
Director
After a series of catastrophically failed marriages, Apple is single again. Blame on Apple's attachment is in her opinion, her mother Ingrid. Because this Apple has punished not only with her hippie name, but was in every way a raven mother. When Ingrid spends an All Inclusive vacation in Spain, her mother and daughter are confronted with a dramatic event from their past.
Self
Screenplay
Irina e Kalle são dois seres perdidos que se encontram e tentam defender sua felicidade de todas as maneiras possíveis. Irina, que veio da Macedônia, teve sua casa invadida por soldados durante a guerra; sua família foi assassinada e ela, estuprada. Traumatizada, ela fugiu para Berlim, onde hoje trabalha como prostituta. Ela conhece Kalle, um punk sem-teto, nas ruas. Os dois se apaixonam e começam a construir uma pequena vida para si. Um dia, um dos clientes de Irina cai morto no apartamento deles. Irina entra em pânico e foge. Kalle chega em casa, encontra o corpo e toma uma decisão drástica para salvar Irina.
Director
Irina e Kalle são dois seres perdidos que se encontram e tentam defender sua felicidade de todas as maneiras possíveis. Irina, que veio da Macedônia, teve sua casa invadida por soldados durante a guerra; sua família foi assassinada e ela, estuprada. Traumatizada, ela fugiu para Berlim, onde hoje trabalha como prostituta. Ela conhece Kalle, um punk sem-teto, nas ruas. Os dois se apaixonam e começam a construir uma pequena vida para si. Um dia, um dos clientes de Irina cai morto no apartamento deles. Irina entra em pânico e foge. Kalle chega em casa, encontra o corpo e toma uma decisão drástica para salvar Irina.
Director
When a salon refuses to hire her because of her plump figure, irrepressible hair stylist Kathi plots revenge by opening her own beauty parlor next door. But when she faces a cash-flow problem, Kathi resorts to some creative means of raising capital.
Self
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Screenplay
Trudi é informada que seu marido Rudi tem uma doença terminal, e sugere que visitem seus filhos em Berlim - mas sem contar a verdade sobre seu estado de saúde a ninguém. Ao chegar, seus filhos, em meio aos afazeres, os tratam com indiferença. Quando seguem sua viagem, o inesperado acontece e Trudi morre. Rudi só então descobre que o grande sonho de Trudi sempre foi ir ao Japão, e decide então fazer a viagem em homenagem à esposa. O filme, além de tudo, é uma homenagem ao grande diretor japonês Yazujiro Ozu, tendo sido baseado em algumas de suas obras (Filho Único, Pai e Filha, e outros). Um olhar poético sobre o Japão, o Kabuki e o Hanami é o formador da atmosfera deste filme.
Director
Trudi é informada que seu marido Rudi tem uma doença terminal, e sugere que visitem seus filhos em Berlim - mas sem contar a verdade sobre seu estado de saúde a ninguém. Ao chegar, seus filhos, em meio aos afazeres, os tratam com indiferença. Quando seguem sua viagem, o inesperado acontece e Trudi morre. Rudi só então descobre que o grande sonho de Trudi sempre foi ir ao Japão, e decide então fazer a viagem em homenagem à esposa. O filme, além de tudo, é uma homenagem ao grande diretor japonês Yazujiro Ozu, tendo sido baseado em algumas de suas obras (Filho Único, Pai e Filha, e outros). Um olhar poético sobre o Japão, o Kabuki e o Hanami é o formador da atmosfera deste filme.
herself
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Director of Photography
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Director
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Director
A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).
Adaptation
Director
Screenplay
Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).
Director
Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).
Zahnärztin
After Sam, a penniless Afro-German singer, discovers he's HIV positive, he gets utterly drunk, spends a few miserable days, but promptly falls (back) in love. Amidst a crumbling former East Berlin (its bulidings, cars, people & culture), Sam develops a "family" for the new millenium, for the new generation of post-drug cocktail AIDS victims. The fragile "family" he forms includes his on-again-off-again boyfriend Rainer, and his best friend Bastl with his latest fling, Mike. Like the old, schmaltzy East German songs which Sam is recording, the sweet innocence of the characters struggle to prevail, the misfortunes of the characters nothwithstanding.
Self
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
Director
Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.
Director
In 1996, cinematographer Helge Weindler died in Almeria, Spain, while shooting his wife Doris Dörrie's new film. A year later, she set out to retrace her grief and pain in a very private film.
Screenplay
German people having trouble with love and identity.
Director
German people having trouble with love and identity.
Self
Documentary by Eckhart Schmidt.
Self
Screenplay
On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?
Director
On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?
Writer
Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client's family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity.
Director
Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client's family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity.
Author
Director
Writer
A man's enthusiastic penis starts talking to him, getting him into awkward situations and convincing everyone he tells that he's completely insane.
Director
A man's enthusiastic penis starts talking to him, getting him into awkward situations and convincing everyone he tells that he's completely insane.
Writer
Writer
Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.
Director
Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.
Screenplay
A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship.
Director
A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship.
Kritikerin
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
Director
Director
Released in Germany in 1983 as Mitten Ins Herz, Straight Through the Heart was director Doris Dorrie's first feature. Beatte Jensen portrays an odd, quirky young girl. She inaugurates a romance with divorced middle-aged dentist Sepp Bierbichler. Both lovers are neurotic, and both seem to thrive on feeding off each other's neuroses. Director Dorrie, who'd first gained critical acceptance with her 1978 short subject The First Waltz, furthered her reputation with the highly original and perceptive Straight Through the Heart, but wouldn't achieve worldwide fame until her second feature, Men... (85).
Director
Writer
Film by Doris Dörrie.
Director
Film by Doris Dörrie.
Clara
Pepe is 15. His life in social misery changes completely when he is chosen as the main character of a film production. Shot on location where he lives with his primitive, brutal and authoritarian father, a pig farmer.
Director
On December 12, 1945 Maria Stadler got (as one of the first from the American occupying power) the license to operate a movie theater. At first she ran a traveling cinema, which went so well that she opened on 30 October 1953 Maria's Kino in Bad Endorf, which still exists today. In the winter of 1976/77 students of the Munich University of Film and Television made a documentary about the idealist, who had since become a movie legend.