Second Unit Director of Photography
Robert Wainwright dies after breaking his deal with the Devil, passing that debt onto his estranged daughter Morgan. She soon finds herself in a never-ending cycle of terror as she is brutally murdered then resurrected over and over again, each time losing a piece of her soul. Now she must discover why this is happening and break the deadly cycle in order to escape.
Executive Producer
Robert Wainwright dies after breaking his deal with the Devil, passing that debt onto his estranged daughter Morgan. She soon finds herself in a never-ending cycle of terror as she is brutally murdered then resurrected over and over again, each time losing a piece of her soul. Now she must discover why this is happening and break the deadly cycle in order to escape.
Visual Effects
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Editor
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Cinematography
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Producer
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Writer
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Director
Beautiful, young hitchhiker Sally (Ely LaMay), attempts to survive the night while making her way back home as a sadistic killer and cannibalistic madman (John Blyth Barrymore) haunts the desert highways, probing for fresh roadkill.
Visual Effects
A micro-budget movie crew treks into the wilderness to shoot horror scenes for their unsellable indie-drama. They soon find themselves in the midst of their own real horror movie, as they are hunted by a large group of creatures.
Epk Director
Após a morte brutal de seus pais, o soldado Shawn Black (Michael Mathias), volta do Afeganistão sem saber do paradeiro do corpo de seu irmão morto em combate. Em busca de respostas e apenas com um bilhete deixado pelo próprio irmão antes de morrer, Black conhece Tagg (DMX), e o padre Roy (Michael Madsen). Ao descobrir que seu irmão foi morto pelo rei dos vampiros Cain (Vinnie Jones), e que ele é o único que possui o poder para eliminá-lo, Black e padre Roy travam uma batalha sanguinária contra Cain e seu exército de vampiros. Será que Black conseguirá derrotar a escuridão, ou será que ele se tornará mais um sugador de sangue? Atreva-se a descobrir.
Visual Effects
Após a morte brutal de seus pais, o soldado Shawn Black (Michael Mathias), volta do Afeganistão sem saber do paradeiro do corpo de seu irmão morto em combate. Em busca de respostas e apenas com um bilhete deixado pelo próprio irmão antes de morrer, Black conhece Tagg (DMX), e o padre Roy (Michael Madsen). Ao descobrir que seu irmão foi morto pelo rei dos vampiros Cain (Vinnie Jones), e que ele é o único que possui o poder para eliminá-lo, Black e padre Roy travam uma batalha sanguinária contra Cain e seu exército de vampiros. Será que Black conseguirá derrotar a escuridão, ou será que ele se tornará mais um sugador de sangue? Atreva-se a descobrir.
Director of Photography
Three interconnected tales of terror set against the backdrop of a zombie apocalypse.
Co-Producer
Three interconnected tales of terror set against the backdrop of a zombie apocalypse.
Producer
This no holds documentary chronicles the days before, during and after Hurricane Katrina. Told from the viewpoint of several families stuck in New Orleans, this moving and unflinching story says so much by saying so little. Most of this footage has never been seen by the public, and there is absolutely no stock footage used in this film.
Director
This no holds documentary chronicles the days before, during and after Hurricane Katrina. Told from the viewpoint of several families stuck in New Orleans, this moving and unflinching story says so much by saying so little. Most of this footage has never been seen by the public, and there is absolutely no stock footage used in this film.
