Florent Marcie

In the war zones of Mosul and Raqqa, then in Paris during the Yellow Vests uprising, filmmaker Florent Marcie confronts Sota, an AI robot, with the tragedy of mankind. As the story unfolds, the relationship that develops between man and machine questions our human condition and our future.

In the early days of the Libyan revolution, when the eyes of the world were on Benghazi, a small group of insurgents were defying the dictatorship at the other end of the country, in the Nafusa Mountains. Cut off from the rest of the world, under siege from Gadaffi’s troops, these mountain people nevertheless managed to inflict a series of setbacks on the regime, driving its forces all the way to the gates of Tripoli. From guerrilla warfare in the jebel to the shores of the Mediterranean, "Tomorrow Tripoli" relates the combat of these men swept up by the revolutionary whirlwind.

Afghanistan, October 2001. One month after attacks on the World Trade Center, US airstrikes in Afghanistan began attacks in an attempt to overthrow the Taliban. On the front lines of Bagram and marked by twenty years of war, Commander Khawani and his mujahedeen are waiting for the attack on Kabul. Between two airstrikes, they start talking to the enemy by radio.

Portrait of a committed youth in Chad, working in a humanitarian mission in the region of Ouaddaï. Chased away by the war in Darfur, neighbour country, the refugees have come in mass in this province suffering from extreme poverty, threatening an already fragile local balance. From Hadjer Haddid to Brussels or Paris, the film tries to highlight the complexity of a mission and takes as a starting point the questions each one has on a profession undergoing transformations.

Clandestinely shot in Chechnya during the first war, mounted ten years later to bear witness to a forgotten history, Itchkéri Kenti is, in the eyes of the Chechens, a symbolic film. To limit its reach to Chechnya would be reductive. In France, Europe, Algeria, the intensity of the reactions speaks for itself: everyone discovers a little Chechen after seeing this film. Itchkeri Kenti is a film about the human in war and resistance. A film that questions our memory.

Afghanistan. Year 1421, Hegira lunar calendar, civil war. Bagram front line, 50 kilometres north of Kabul. The enemy lines are within hailing distance. At night, the Taliban can be heard provoking their adversaries with insults...

In the Dinka language, "ajiep" means "calabash", which is a recipient for collecting cows’ milk and has the connotation of abundance. Ajiep is also the name of a small village in the south of Sudan, with its school, a village chief, a market... and widespread famine. In the wake of the devastation caused by the war, tens of thousands of people have been uprooted by the North-South fighting and have found refuge near Ajiep, but have no food supplies. A team of "Médecins sans frontières" is trying to limit this human catastrophe. The rhythm of life is dictated by the search for food and survival : airdrops of cereals, vaccination campaigns, distribution of food... The film concentrates on the story of Angeth, a young mother who has just arrived at Ajiep with her two small daughters. She had survived for nine months in the forest on fruits and roots, after her herd had been stolen.

A year in the life of Richard, Sylvain, Nono and Calou who are squatting an unused railway tunnel in the 13th ward in Paris. They have created an entire domestic interior with television set, fridge, washing machine... With their four dogs, they live as a kind of highly organised urban tribe. But Nono is sent to prison, Sylvain meets a woman...