Remko Schnorr

A celebrity psychiatrist struggles to find a date for a wedding. Her dearest ex is getting married and she needs to find someone fancy enough to hide the fact that she is lonely, drinks too much and is pretty fucked up in any imaginable way.

A celebrity psychiatrist struggles to find a date for a wedding. Her dearest ex is getting married and she needs to find someone fancy enough to hide the fact that she is lonely, drinks too much and is pretty fucked up in any imaginable way.

Entangled and haunting, the cyclic poem Chaos Theory focuses on children, parents, and attachment. X (Valentina Di Mondo), the child, is adventurous and associative. The adult, Y/Z (Georgina Dávid/Lucie de Bréchard), appears pensive, yet ever as dedicated to nurturing X.

Sihja is a young, charming and a little outrageous fairy who leaves her home in the forest. On arrival in the city, she meets a sensitive new friend, a lonely human boy Alfred. Sihja loves the newly found organized urban shapes and orderly habits that the city people have. One day dead birds appear on the city streets. Alfred and Sihja must find out what is threatening the nature.

The film uses the oyster and its sensual and lavish associations as a symbol to explore human drives and desires. The oyster takes us on a trip around the world, in which protagonists that all have their own special relationship to the oyster share their ambitions, desires and existential fears. This cinematic documentary explores the intricate nature of our deepest yearnings and quest for self-fulfillment.

My therapist once asked me to visualise my child self sitting next to me, sad and crying. “How would you treat her?” my therapist asked. “With compassion, love and care” I answered. “Then that’s how you should treat yourself now, as an adult” she replied.

Assembling cinematic sequences shot in the Southeastern Urals and in Macedonia, archival footage and animation, Eurasia (Questions on Happiness) sets forth on a journey towards the Eurasian steppe where it meets the New Silk Road. Imagining a fractured continent in the thrall of self-learning data sites that trigger world events, the film confronts various forms of hoax, from cut and paste political doctrines to neo-classical facade architectures. Mapping ideological and political currents that are presently unraveling the European Union, Eurasia describes fake news as a man-made proxy of the indifference that an artificial intelligence may feel toward the human condition. Through modes of science fiction, documentary, and folk tale, Eurasia creates an immersion within layers of media production, wrapping facts in fictions, and fictions in facts.

This rich essay searches for new ways of being together in the age of social media. We arrange our lives to impress the gaze of others and have become accustomed to being seen. For many young people, however, the party is over. Neoliberalism has made murderous competition the norm; and in the meantime, the planet is dying. Following the unmasking of Facebook’s real motives, more and more people are deleting their Facebook accounts – but this often results in social death. The first image in POSSESSED sets the tone: liquefied lead runs over burning smartphones, followed by images of a devastated neighbourhood in Aleppo. Even the smartphones have not survived the attack. The chains of social media must be cast off, but the perpetual question remains: Who is looking out for you? Academics Alex Williams (University of East Anglia) and Nick Srnicek (King's College London) address this crucial question, along with other issues

Filmado ao longo de dez anos, este é um retrato inédito do universo privado da artista Grace Jones, conhecida por sua irreverência, originalidade e personalidade forte.

13-year-old Alfredo Lorenzo has a dream: he wants to be the best magician in the world. This isn't a random wish, as his whole family works in the entertainment industry. He was raised performing magic and comes from a long line of artists. For this reason his whole family is helping him to realise his dream. To achieve this, he has a tough road ahead with lots of practice, performances and magic competitions. Alfredo's life seems like one big show, but what does it really take if you have decided your future profession at such a young age? How does Alfredo deal with the pressure, the intense training and life in the limelights?

Uma viagem ao coração labiríntico da ideologia, que molda e justifica tanto crenças e práticas coletivas quanto pessoais: com um zelo contagiante e apetite voraz pela cultura popular, o filósofo e psicanalista esloveno Slavoj Õizek analisa vários dos filmes mais importantes da história do cinema para explicar como a narrativa cinematográfica ajuda a reforçar a ética e as idéias políticas prevalecentes.

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

A 7-year old girl is taken to school by her mother. Today is the day that the young girl will go on a school trip with her class. In everything we feel that bringing her daughter to school isn’t a very ordinary occasion for the mother.

Imagine Switzerland's national soccer team playing the finals of the EURO 2008 and the TV channel turns black! Apltraum is a comical fairytale about soccer, dreams and the belief that the impossible can come true

Following an amateur soccer match, one of the players (Peter Heerschop) looks for his ball. He finds it, cruelly floating in the middle of a brook, just out of reach. The soccer player takes things to extremes in his occasionally slapstick-like attempts to recover the ball without getting his clothes wet. And he does not make any friends doing it.

Uma introdução hilária, usando como exemplos alguns dos melhores filmes da história, às idéias do filósofo e psicanalista esloveno Slavoj Žižek sobre subjetividade pessoal, fantasia e realidade, desejo e sexualidade.

Em busca de um novo lar, o jovem Pluk acaba no prédio Petteflet com seu pequeno guindaste vermelho. Ele se muda para um pequeno quarto vago no último andar e rapidamente faz amizade com alguns dos habitantes e animais do Torteltuin, o belo jardim. Ao descobrir que o Torteltuin está para ser destruído, Pluk e seus amigos farão de tudo para impedir.