Remko Schnorr

A celebrity psychiatrist struggles to find a date for a wedding. Her dearest ex is getting married and she needs to find someone fancy enough to hide the fact that she is lonely, drinks too much and is pretty fucked up in any imaginable way.

A celebrity psychiatrist struggles to find a date for a wedding. Her dearest ex is getting married and she needs to find someone fancy enough to hide the fact that she is lonely, drinks too much and is pretty fucked up in any imaginable way.

Entangled and haunting, the cyclic poem Chaos Theory focuses on children, parents, and attachment. X (Valentina Di Mondo), the child, is adventurous and associative. The adult, Y/Z (Georgina Dávid/Lucie de Bréchard), appears pensive, yet ever as dedicated to nurturing X.

Sihja is a young, charming and a little outrageous fairy who leaves her home in the forest. On arrival in the city, she meets a sensitive new friend, a lonely human boy Alfred. Sihja loves the newly found organized urban shapes and orderly habits that the city people have. One day dead birds appear on the city streets. Alfred and Sihja must find out what is threatening the nature.

The film uses the oyster and its sensual and lavish associations as a symbol to explore human drives and desires. The oyster takes us on a trip around the world, in which protagonists that all have their own special relationship to the oyster share their ambitions, desires and existential fears. This cinematic documentary explores the intricate nature of our deepest yearnings and quest for self-fulfillment.

My therapist once asked me to visualise my child self sitting next to me, sad and crying. “How would you treat her?” my therapist asked. “With compassion, love and care” I answered. “Then that’s how you should treat yourself now, as an adult” she replied.

Кадры, снятые на юго-восточном Урале и в Северной Македонии, соседствующие с архивными изображениями и анимацией, отправляют зрителя в евразийскую степь — туда, где пролегает Новый шелковый путь. Воображая разобщенный континент, находящийся под контролем самообучающихся data-центров, которые запускают события мирового масштаба, фильм обнажает различные формы мистификации: от шаблонных политических доктрин до неоклассических архитектурных фасадов. Используя форматы научной фантастики, документалистики и народных сказаний, «Евразия» погружает на разные уровни медиапроизводства, оборачивающего факты в вымысел, а вымысел — в факты. Изначально созданная голландским коллективом художников и дизайнеров как инсталляция, «Евразия» — попытка представить евразийство в качестве ландшафта: политического, ментального и виртуального.

This rich essay searches for new ways of being together in the age of social media. We arrange our lives to impress the gaze of others and have become accustomed to being seen. For many young people, however, the party is over. Neoliberalism has made murderous competition the norm; and in the meantime, the planet is dying. Following the unmasking of Facebook’s real motives, more and more people are deleting their Facebook accounts – but this often results in social death. The first image in POSSESSED sets the tone: liquefied lead runs over burning smartphones, followed by images of a devastated neighbourhood in Aleppo. Even the smartphones have not survived the attack. The chains of social media must be cast off, but the perpetual question remains: Who is looking out for you? Academics Alex Williams (University of East Anglia) and Nick Srnicek (King's College London) address this crucial question, along with other issues

Грейс, которую вы не знали. Дочь и сестра, мать и супруга, бабушка — возможно, впервые в истории Джонс предстанет перед вами без макияжа, привычного светского окружения и многостраничных «википедийных» справок.

13-year-old Alfredo Lorenzo has a dream: he wants to be the best magician in the world. This isn't a random wish, as his whole family works in the entertainment industry. He was raised performing magic and comes from a long line of artists. For this reason his whole family is helping him to realise his dream. To achieve this, he has a tough road ahead with lots of practice, performances and magic competitions. Alfredo's life seems like one big show, but what does it really take if you have decided your future profession at such a young age? How does Alfredo deal with the pressure, the intense training and life in the limelights?

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

A 7-year old girl is taken to school by her mother. Today is the day that the young girl will go on a school trip with her class. In everything we feel that bringing her daughter to school isn’t a very ordinary occasion for the mother.

Imagine Switzerland's national soccer team playing the finals of the EURO 2008 and the TV channel turns black! Apltraum is a comical fairytale about soccer, dreams and the belief that the impossible can come true

Following an amateur soccer match, one of the players (Peter Heerschop) looks for his ball. He finds it, cruelly floating in the middle of a brook, just out of reach. The soccer player takes things to extremes in his occasionally slapstick-like attempts to recover the ball without getting his clothes wet. And he does not make any friends doing it.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

Pluk has a great red crane truck, but no home. Like every little boy, he needs a place to live. So it fits well that a tower room is available in the colorful Petteflet apartment block. Pluk can move in here and immediately makes new friends, but he also gets in a lot of trouble: With Ms. Sauberer, who always cleans, and the architect who wants to cut down the idyllic Turtelpark ...