Jacques Loiseleux

After the death of his musician wife, Franck, a septuagenarian hellenist, feels lost. His friend Max, a womanizer, and his daughter Sabine successively welcome him to their home, but it is his meeting with Suzanne that will give him a taste for life. She is not of his world, nor of his age, but she will be his last love.

A young woman and her son runaway from their hometown to escape civil war. Nothing is left from the world they knew and the only thing they have is each other.

Sexy, gritty and as provocative as a lap dance, The Bathers takes an insider's look at the lives of six women working as dancers at a seedy Parisian peep show. Governed by their overprotective boss, the girls' routine of glittery neon lights and lecherous customers is soon disrupted when an enigmatic stranger enters the scene. Now, drugs, sex and bickering all take a back seat as the girls unite to save this man haunted by a mysterious past and unforgiving demons. A fascinating glimpse into a world of back alleys and primal instincts, The Bathers transports us to a netherworld where the show always goes on.

Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.

Mathieu (Philippe Garrel), diretor, se prepara para gravar um novo filme. Ele escolhe para a liderança do sexo feminino, uma atriz famosa (Anémone). Porém, sua esposa Jeanne (Brigitte Sy), acredita que a história do filme é autobiográfico. Ela considera essa escolha como uma traição... e ainda tem o filho comum de 6 anos, Lo (Louis Garrel)... Ao filmar sua própria vida e colocar nisso um núcleo familiar verdadeiro (esposa, pai e filho, todos atores de ofício), Philippe acompanha a luta de uma geração que já não sabe como se enxergar, como sobreviver. Por mais que ele tente se nomear enquanto personagem, nunca o vemos como tal, ao menos não como outro além do que ele próprio e os seus...

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

Tendo sido asmático durante toda a vida, Joris Ivens começa o filme com pensamentos sobre a respiração que sustenta a sua e todas as outras vidas e que se manifesta no mundo como o vento.

Two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.

A detective with the highest clearance rate in the country, gets involved in a case with a young woman arrested for having killed her child. The detective falls under the spell of the young woman.

Suzanne, de 15 anos, procura escapar do caos de sua família com aventuras impulsivas e promíscuas. Sua sexualidade desenfreada só alimenta as paixões reprimidas de seu irmão narcisista, sua mãe insegura e seu pai autoritário e ameaçador.

Gérald, former champion of motorcycle competitions, after an accident that causes him to lose the use of his right becomes a trainer for young riders. But because he can not make enough money, he takes part in a burglary.

Nelly troca o marido grosseiro pelo ex-detento Loulou. Ele não quer trabalhar, mas não se importa de roubar. Ela trabalha, mas fica indo e vindo para seu ex pelas mais variadas razões.

Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.

As every summer, Georges Lajoie, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite. They join old friends, the Schumachers and the Colins. Brigitte Colin, the daughter, is quite a pretty young girl now. One day, Georges rapes and murders her. He hides the body near the barracks of the immigrant Arab workers. The racism of the campers will do the rest... A virulent lampoon against the average Frenchman's racism.

The two memories

This film shows how two farmers' unions decide to start mass action to obtain a land lease from a landowner, thus enabling the tenant to obtain loans to set up farming facilities.

A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.