Hiroki Nakamura

A disillusioned Natsume arrives at Coin de Rue, a popular Tokyo pastry shop, begging for work. Aiming to become a high-calibre pastry chef, she is determined to overcome both her past and the challenges ahead. Pastry critic Tomura is a frequent visitor to Coin de Rue. Moved by Natsume's persistence, he slowly begins to confront his own painful past aided, of course, by mouthfuls of tasty pastries.

Após derrotar seu arqui-rival, Kira, e com os seus dias contados, o lendário e misterioso detetive L, deve enfrentar a terrível ameaça de um vírus altamente mortal, que pode destruir toda a humanidade em apenas 23 dias. É a primeira vez que veremos L, usando mais do que a sua inteligência para resolver um caso. Para tanto, L, vai conhecer novos amigos e revelar velhos aliados.

A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".

There still stands a famous apartment building where such prominent manga artists as Tezuka Osamu, Shotaro Ishinomori and Fujio Akatsuka once lived, worked, and shared experiences.

Living in an old Tokyo district, Kenichi works at a second-hand bookshop to support his sister, Yoko, a high school student. When Yoko graduates, she starts work at a photo shop. By the time, Kenichi's girlfriend has decided to marry someone else as she is tired of waiting for him. When Yoko starts dating Kenichi's best friend, Makoto , he is strangely resentful, but when Makoto is involved in a fatal accident, brother and sister resume their routine life.

Based on the story of the same name by Shizuka Ijûin. Ran as a double feature with Chibusa (1993).

Filmed in a documentary style six patients in six wards of different ages and circumstances await death at a hospital in Japan. The sterile and dismal environment is contrasted against the emotional being of the patients, their visitors and relatives and the outside world, which they will never again survey.