Este filme do Lupin, o Terceiro, antecede a ele conhecer Daisuke Jigen, Goemon Ishikawa ou Fujiko Mine. Tudo começa com Lupin conhecendo uma linda garota, que está a caminho de ser presa. Lupin ajuda a sair da prisão, apenas para ser deixado para trás. Mais tarde, ele encontra Daisuke Jigen, que deseja desesperadamente que Lupin reconstrua o império Lupin. Lupin mais tarde reencontra Fujiko, que deseja joias caras e prometendo a Lupin um "prêmio digno". Ele deve fazer isso (bem, se ele quiser Fujiko) enquanto evita ser morto, e enquanto decide se ele realmente quer assumir o império Lupin ou não.
Deep in the mountains of feudal Japan, a group of children endure cruel and unorthodox training in order to become the Shogunate's most secret and deadly weapons - the Demon Spies! Their true identities are hidden - even from each other. Behind their demon masks, they are educated in the deadly arts of infiltration, espionage, assassination - and seduction! If they survive to become strong enough to kill their teachers, they will become - the Demon Spies! Sent on a suicide mission to uncover a deadly conspiracy, five inexperienced Demon Spies must infiltrate a powerful fief, discover the location of its secret arsenal, and destroy it. But Lord Shogen, the Demon Hunter, plans to brutally interrogate, ingeniously torture, and cruelly execute - the Demon Spies!
An honorable yakuza syndicate deeply rooted in Kyoto fights for survival when a new breed of gangsters threaten their very existence.
Kuroda
A re-edit of the 1968 Agon miniseries. Released by Toho Video in the 1980s
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
