Bjørn Skagestad

Noruega, 1942. Esther, uma jovem judia é separada de sua família durante a Segunda Guerra. Na fuga ela consegue se esconder em uma fazenda onde assume a identidade de um menino. O desafio diário de manter o segredo conduz a uma série de escolhas que mudam o caminho de todos ao seu redor.

In a war-ridden and occupied Norway of the future, two young refugees steal an item of great importance from the occupiers. Pursuers ever on their tail, their story guides us through the magnificent Northern landscape, now tattered with the remnants of war and broken industry. On their journey they come across other people, all challenged in their humanity as they try to survive in a Norway that is no longer a land of plenty. The boys must balance brotherhood and ruthless pragmatism. Their childhood is already gone.

A film about the painter Edvard Munch and his life and works. The film is based upon important events in Munch's life and attempts to capture the painters diversity and dilemma, to find connections between the events of his childhood and youth, his art and his adult life. The film follows in his footsteps from childhood to old age.

Kristin Lavransdatter is a 1995 Norwegian film directed by Liv Ullman, featuring Elisabeth Matheson, Bjørn Skagestad, Jørgen Langhelle, Lena Endre and Sverre Anker Ousdal, based on Kristin Lavransdatter by Sigrid Undset. It was the Norwegian entry to the Academy Award for Best Foreign Language Film in 1996.

Surreal tale of a 14 year-old boy who dreams of escaping the loneliness from an unhappy home & sexual abuse (from his mother's boyfriend who is also his school swimming coach). One day his back mysteriously sprouts feathers and he can metaphorically fly away from it all.

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

A meeting between the Swedish/French Simone and the Norwegian Stein at a book convention in Frankfurt turns into something more. They keep contact by phone and cassettes, but it seems they don't dare to take the relationship any further.

A classic television drama production of Henrik Ibsen's play about the master builder, his public success and personal demons.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

A small peaceful town in Norway. But forces other than peace and tolerance are brewing beneath the surface. It all begins with Martin, a teacher, accused of being gay. The rumor spreads and also hits his friends Kjærsti and Sara, who live together. The three are deviants in people's eyes, and threaten the image of reality. In the municipal administration, two corrupt officials use the rumor to hide their own dishonesty.

When a married doctor brings home a gay medical student that he's smitten with, his wife goes along and the three try to build a non-traditional relationship. Then society's homophobia intervenes.

"My Love" - A drama rich in symbols about an unsuccessful Norwegian bookseller. With a bag filled with quirky literature he wanders through Stockholm, trying to find book buyers.

The young factory girl Milja comes in disaster on board fishing with Julius, who fails her for the beautiful and unreliable Petrina. The people from the bourgeoisie despise factory girls and their bastard, they are vile and promiscuous. In his despair will Milja give away the kid for it to get a better life than she can provide it. But Onsea-Lovisa ready to change her opinion.