Executive Producer
When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?
Tío de Manuel
When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?
Executive Producer
Producer
Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.
Production Executive
Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.
Producer
Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.
Producer
Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.
Producer
An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.
Executive Producer
The Sleepwalkers é um drama argentino de 2019 dirigido por Paula Hernández. Foi selecionado como o argentino de Melhor Longa-Metragem Internacional no 93º Oscar, mas não foi indicado. Recebeu o prêmio Silver Condor de Melhor Filme da Associação Argentina de Críticos de Cinema em 2021.
Producer
Clara receives the world prize for children's literature. To find some peace, she moves with her family to the countryside.
Executive Producer
Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.
Co-Producer
Em uma cidade nevada e industrial no sul da Argentina, Paula, uma garota de 23 anos de Buenos Aires, começa uma intensa caça ao trabalho com o único propósito de economizar dinheiro.
Executive Producer
Em uma cidade nevada e industrial no sul da Argentina, Paula, uma garota de 23 anos de Buenos Aires, começa uma intensa caça ao trabalho com o único propósito de economizar dinheiro.
Executive Producer
Julia discovers that she is pregnant with her ex-husband, but he does not know it. He is thirty years old and must decide what to do with the baby on the way. At night, it is not easy for him to sleep, and when he does he has distressing dreams. He dreams that he drowns, that he sinks deeper and deeper and can not get out of the water.
Producer
Vera and Bruno used to be a couple, but haven’t seen one another since they separated. He coincidentally appears before her during a long-awaited country house weekend with friends on the outskirts of Buenos Aires.
Executive Producer
Ely tem 17 anos, está no ensino médio e trabalha num pet shop no bairro da Boca em Buenos Aires. Ao descobrir que está grávida, seu mundo interno colapsa. Ela tem que tomar uma decisão que mudará sua vida para sempre.
Executive Producer
Celina trabalha em uma pequena cabine de pedágio situada em uma estrada no meio do deserto. Alguns dias antes do natal, seu pai morre e ela decide trabalhar vendendo enciclopédias para juntar dinheiro e viajar para Itália a procura de sua mãe.
Executive Producer
Charly was abandoned right after birth in a convent. He is not aware of who the couple who are about to arrive and dine at the inn, actually are. Karla is about to show up with a dead man and one hundred dollars in the trunk of her car.
Producer's Assistant
Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.
Producer
Lola, a 16-year-old teenager who is not doing well at school, is beginning to take the subjects she took in her fourth year when she is presented with the opportunity to study for a semester at a school in Germany. She wants to travel, but her family, absorbed by her older sister's bipolar disorder, is in debt and can't face that trip. The instability and wear on her bond with her sister make Lola go out looking for new experiences, cling to them to find a way to carry that journey forward, and to be able to escape a bit from the exhausting family dynamic.