Juan Pablo Miller

Шестнадцатилетний Мануэль живет в маленьком прибрежном городке. Он играет на бас-гитаре в группе со своими лучшими друзьями. Один из них — Фелипе, с которым он дружит с самого раннего возраста. У них нерушимая связь. Но Мануэль чувствует что-то совершенно новое, что заставляет его взглянуть на Фелипе другими глазами. Как не потерять что-то ценное, когда это то самое, что разрывает тебя изнутри?

Шестнадцатилетний Мануэль живет в маленьком прибрежном городке. Он играет на бас-гитаре в группе со своими лучшими друзьями. Один из них — Фелипе, с которым он дружит с самого раннего возраста. У них нерушимая связь. Но Мануэль чувствует что-то совершенно новое, что заставляет его взглянуть на Фелипе другими глазами. Как не потерять что-то ценное, когда это то самое, что разрывает тебя изнутри?

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Несостоявшийся отец семейства обнаруживает, что его привычному общению с детьми приходит конец, когда его бывшая жена и ее нынешний парень решают переехать из Аргентины в Парагвай и забрать с собой детей.

Фильм повествует о погружении матери и дочери в семейную эмоционально-напряженную среду. Аргентинский режиссер Паула Эрнандес исследует столкновения желаний с ожиданиями, когда семейное давление доводит женщин до предела.

Clara receives the world prize for children's literature. To find some peace, she moves with her family to the countryside.

Дельфин мечтает играть в детском оркестре. И готов на всё, чтобы его мечта осуществилась.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

Julia discovers that she is pregnant with her ex-husband, but he does not know it. He is thirty years old and must decide what to do with the baby on the way. At night, it is not easy for him to sleep, and when he does he has distressing dreams. He dreams that he drowns, that he sinks deeper and deeper and can not get out of the water.

Vera and Bruno used to be a couple, but haven’t seen one another since they separated. He coincidentally appears before her during a long-awaited country house weekend with friends on the outskirts of Buenos Aires.

Ely is 17 years old. After school, she works few hours at a pet shop. When Ely learns that she is pregnant, her inner world explodes even though she tries to go on with her daily routine as if nothing was different. She is afraid and upset, and she knows that, whatever she decides to do, there is no turning back.

Celina works at a remote tollbooth on a desert road, few days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough money to travel to Italy and find her mom.

Charly was abandoned right after birth in a convent. He is not aware of who the couple who are about to arrive and dine at the inn, actually are. Karla is about to show up with a dead man and one hundred dollars in the trunk of her car.

Whisky Romeo Zulu tells the story prior to the crash of LAPA Boeing 737 that on August 31, 1999, caught fire after hitting an embankment in the center of Buenos Aires, killing 67 people. The disaster changed the history of civil and commercial aviation in Argentina, and the film recounts, from the standpoint of the director, a former airline pilot-how in some countries the safety of the flight is incredibly precarious.

Lola, a 16-year-old teenager who is not doing well at school, is beginning to take the subjects she took in her fourth year when she is presented with the opportunity to study for a semester at a school in Germany. She wants to travel, but her family, absorbed by her older sister's bipolar disorder, is in debt and can't face that trip. The instability and wear on her bond with her sister make Lola go out looking for new experiences, cling to them to find a way to carry that journey forward, and to be able to escape a bit from the exhausting family dynamic.