Guido van der Werve

Filmes

The Breath of Life
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
The Breath of Life
Original Music Composer
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
The Breath of Life
Screenplay
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
The Breath of Life
Director
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
Number Fourteen, Home
Production Design
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Fourteen, Home
Editor
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Fourteen, Home
Music
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Fourteen, Home
Writer
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Fourteen, Home
Director
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Fourteen, Home
Self
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Number Eight
Scenario Writer
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.
Number Eight
Self
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.
Number Eight
Director
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.