After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
Original Music Composer
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
Screenplay
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
Director
After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.
Production Design
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Editor
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Music
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Writer
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Director
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Self
Dutch artist Guido van der Werve runs, bikes, and swims nearly 1,200 miles from Warsaw’s Church of the Holy Cross to Paris’s Père Lachaise cemetery.
Scenario Writer
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.
Self
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.
Director
A film that follows a man walking on an ice covered bay only few meters in front of a huge icebreaker.
