Héctor Noas

Héctor Noas

Perfil

Héctor Noas

Filmes

Cuentos de un día más
A pandemic that seemingly stops everything does not stop the human spirit. The six stories told in this film show that feelings like love, hate, sadness, loneliness, fear and hope bring out the best and worst in us in extreme circumstances. No illness, physical or soul, will prevent the confluence between people and their stories.
Corazón Azul
Em uma realidade alternativa, Fidel Castro usa a engenharia genética para construir o novo homem e assim salvar a utopia. O experimento falha porque esses seres são altamente inteligentes, mas também cruéis e incontroláveis. Rejeitado por seus próprios criadores, um grupo organiza uma série de ações terroristas, e o caos reina na ilha. Elena, um de seus membros rastreia a origem de seus genes e começa uma jornada para tentar descobrir sua humanidade.
Mambo Man: Guiado Pela Música
JC
JC é um peixe grande em um lago pequeno. Produtor musical, fazendeiro e pequeno traficante, ele vive de sua inteligência e imaginação, mas, por trás de sua personalidade piadista, está um homem que só quer sustentar amigos e família e escapar de uma existência precária. Um telefonema inesperado lhe oferece a chance de fazer fortuna e mudar sua vida para sempre.
Defiant Souls
José Ángel Garrido
Santiago de Cuba, January 19th, 1819. Coming from Lausanne, Enrique Faber, a Swiss doctor and surgeon, arrives on the island, a Spanish province, hoping to find his son, who has been kidnapped…
Inocencia
On november 27th, 1871 one of the most atrocious events happened in the Cuban territory, the regiment of voluntarys of the spanish army along with the Spaniard corrupt government that ruled the island, conspired to destroy the lives of 8 students of medicine. The resolution of the young students in maintaining their dignity over the injustice in which they were involved; the reaction of few fair spanish men to the inexplicable situation in which the events was developed and the never told roll of Fermín Valdés in the discovery of the truth will change the insight of this story. Based on true events, this film was a debt to the cuban history that was settled.
Yuli
Guía
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
Sergio and Sergei
Sergei
Na Cuba pós dissolução da União Soviética, um radialista de classe média baixa consegue, por acaso, entrar em contato com um astronauta que orbita a Terra sozinho depois do governo ter abortado a missão de trazê-lo de volta para casa.
Numa Escola de Havana
Pablo
O jovem Chala tem um comportamento problemático. A única pessoa que ele respeita é a professora, Carmela. Enquanto a relação entre eles aumenta, os dois passam a ser perseguidos na escola.
Green Green
The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.
Los dioses rotos
In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.
The Sandman
Luis
Two love birds fly out of the cuckoo's nest in a stirring Spanish romance of mad love and doomed passion.
First (Así como nosotros)
A man finds his image in a mirror, undertakes a discussion.