Fabio Simonelli

Filmes

America Latina
Assistant Director
Massimo Sisti is a reputable professional with a nice house, a happy marriage, and two loving daughters, whose life is turned upside down when one day he finds a little girl tied up in his basement.
Bad Tales
First Assistant Director
Algumas famílias que vivem nos subúrbios de Roma, estão próximas das tensões que podem explodir a qualquer momento. E são as crianças que provocam o colapso.
Vivere
First Assistant Director
In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.
Se son rose...
First Assistant Director
Leonardo is still single and immature as ever at 50. Tired to see him like that, his daughter texts all his exes "I'm a changed man: let's try again", setting in motion an unexpected trip down memory lane.
Veloz Como o Vento
First Assistant Director
A paixão por motores sempre correu nas veias de Giulia De Martino. Ela vem de uma família que produz gerações de campeões de corridas de automóveis. Também ela é um piloto, um talento excepcional que aos dezessete anos participa do Campeonato GT, sob a orientação de seu pai Mario. Até que em um dia tudo muda e Giulia tem de enfrentar sozinha as pistas e a vida. Para complicar a situação, seu irmão Loris retorna de forma inesperada. Eles serão obrigados a trabalhar em conjunto, em uma sucessão de adrenalina e emoção, descobrindo o quão difícil e importante é tentar ser uma família. O drama é baseado em uma história real.
Ce n'è per tutti
First Assistant Director
Se devo essere sincera
First Assistant Director
Adelaide is a 40-year-old literature teacher married with children. One day, she learns about the murder of a wealthy and arrogant co-worker of hers, strangled in her own home. Adelaide meets Gaetano, the charming inspector dealing with the case and decides to help him in the investigation, much to her husband's chagrin.