Jiří Zavřel

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

A film about young female factory workers in Czechoslovakia.

In the mid-eighties, screenwriter and director Jaroslav Balík tried to give voice to the problems of an ambitious young woman who decides to get back to work after a few years spent on maternity leave. NFA.CZ

The 11-year old Jakub is living in a children's home, when he is picked up by his father. The father has been "away" for four years, the boys mother doesn't want the child. Jakub gradually finds out, that his father is hiding a secret from him. But they gradually manage to build a warm relationship and a promising new life in the city.

Set in the early 1930s, a young man finds a job as a dishwasher in a hotel and quickly works his way up the ladder. Loosely based on the novel by Henryk Worcell.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

This light comedy finds a Czech taxi driver taking his family on a weekend outing in the country. His wife, daughter-in-law, son and two grandchildren are the passengers who disturb the solitude of two young lovers. While the women attend the horse races, the father sits home getting drunk and watching football. The overweight daughter-in-law is upset because she has blown her chances to become a ballerina. All members of the family are caught up in their own individual problems in this realistically portrayed family comedy

Three blue collar workers have a night out in big city Prague.

Widowed yeoman Tuma and his household are on their way to help the town of Kourim, which is under attack by the papist troops. His son Ondra is secretly following his father. Miksík the castellan, who is responsible for Ondra, finds himself forced to set off after the boy. They are both captured by soldiers from Kutná Hora. Miksík sacrifices himself to give Ondra a chance to flee. On the way, Ondra runs into the orphan Sulík. The two boys become friends and begin to wander together.

Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.

Um inepto camponês Tcheco divide-se entre a ganância e a culpa quando um chefe da base nazista de sua cidade o nomeia "Supervisor Ariano" de uma loja de botões de uma idosa viúva judia. Humor e tragédia fundem-se na sarcástica exploração da cordialidade de um homem comprometido com o horror do regime totalitário.