Ron Vawter

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

Shareen and Claire, a lesbian couple living on Staten Island, find themselves ensnared in a vast conspiracy involving a ghost ship of nuclear refuse, ominous television commercials, and deadly cat food.

When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

Made in memory of the actor and my friend, Ron Vawter. Ron passed away shortly after the opening performances of the play "Philoktetes Variations," directed by Jan Ritsema and co-authored by Ritsema and Vawter. It was produced by the Kaaitheater in Brussels. All of the images in this video were originally created for the play.

O advogado Andrew trabalha num conceituado escritório de advocacia. Quando descobre que é portador do vírus HIV, é despedido sumariamente. Ele então contrata os serviços de outro advogado para processar a companhia.

Based on the Depression-era bildungsroman memoir of writer A. E. Hotchner, the film follows the story of a boy struggling to survive on his own in a hotel in St. Louis after his mother is committed to a sanatorium with tuberculosis. His father, a German immigrant and traveling salesman working for the Hamilton Watch Company, is off on long trips from which the boy cannot be certain he will return.

The Wooster Group's production of Anton Chekhov's Three Sisters, translated by Paul Schmidt and directed by Elizabeth LeCompte, with performances from Kate Valk, Peyton Smith, Scott Shepherd, Ari Fliakos, Anna Kohler, Beatrice Roth, Ron Vawter, and Willem Dafoe. This presentation of the 2003 production of BRACE UP!, designed by Ken Kobland and LeCompte, incorporates close-up recordings of the performers simultaneously with continuous wide-angle footage.

White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.

A "play on words" about a fictional political scandal concerning covert arms deals and double-dealing government operatives, satirizing the Watergate hearings of 1972-1973.

Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

Three short stories about women & men relationship.

A struggling young musician and devoted fan of Ricky Nelson wants to be just like his idol and become a rock star.

The residents of a town displaced by an industrial accident agree to take over a failing mining base on the Moon as their new place to live and work. Their first big test comes in the form of a wave of radiation from a massive solar flare.

Clarice Starling, uma das melhores estudantes da academia de treinamento do FBI. Jack Crawford quer que Clarice entreviste o Dr. Hannibal Lecter, um psiquiatra brilhante e também um psicopata violento, que cumpre prisão perpétua por vários atos de assassinato e canibalismo. Crawford acredita que Lecter pode ter uma visão em um caso e que Starling, como uma mulher jovem e atraente, pode ser a isca para atraí-lo.

A separated couple try to keep in touch through postcards of typically "American" sights: motels, monuments, parks; but their postcards cross in the mail. Misunderstandings arise; passion subsides; romance fades... Yet the postcards keep on coming.

The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more broadly, American intervention in the Third World. Using a structure that emulates the way television news programs construct meaning through fragmentation, the tape interweaves clips of Filipino activists and reporters, a fictional television anchorwoman and correspondent, commentary by independent filmmaker Trinh T. Minh-ha, Fagin's off-camera voice and script, and anonymous excerpts from commercial television.

O conflito selvagem entre dois policiais de Los Angeles. Avila investiga a violência da própria polícia e procura provas contra Peck, tira charmoso, corrupto e cínico. Peck sabe que Avila tem um ponto fraco: uma mulher insatisfeita.

Steeped in irony, Made in Hollywood depicts the personal and cultural mediation of reality and fantasy, desire and identity, by the myths of television and cinema. Quoting from a catalogue of popular styles and sources, from TV commercials to The Wizard of Oz, the Yonemotos construct a parable of the Hollywood image-making industry from a pastiche of narrative cliches: A small-town ingenue goes West to find her dream and loses her innocence; the patriarch of a Hollywood studio nears death; a New York couple seeks screenwriting fame and fortune in the movies. With deadpan humor and hyperbolic visual stylization, the Yonemotos layer artifice upon artifice, constructing an image-world where reality and representation, truth and simulation, are meaningless distinctions.

Durante a Segunda Guerra Mundial, no remoto deserto do Novo México, o Projeto Manhattan está se materializando: a bomba atômica está sendo construída. Paul Newman vive o General Leslie Groves, o militar que comanda o poderoso projeto que vai produzir duas armas: "Fat Man" (Homem Gordo) e "Little Boy" (Garoto). Dwight Schultz é J. Robert Oppenheimer, o brilhante cientista tentando tornar a impressionante missão uma realidade. Bonnie Bedelia, John Cusack, Laura Dern e Natasha Richardson co-estrelam este filme, que recria um dos capítulos mais marcantes da nossa história, aquele que criou uma nuvem em forma de cogumelo, mudando o mundo para sempre.

O advogado John Mullany (Peter Gallagher) enfrenta problemas de caráter sexual com sua mulher, Ann Bishop Mullany (Andie MacDowell), e, ao mesmo tempo, tem um caso com a cunhada, Cynthia Patrice Bishop (Laura San Giacomo). Sua vida sofre uma transformação com a chegada do amigo de infância, Graham Dalton (James Spader), que grava em vídeo o depoimento de mulheres falando sobre suas vidas sexuais.

Loucas e mimadas, Maureen e seu excêntrico irmão Howdy decidem rastrear e conhecer sua mãe distante, enquanto o drama de relacionamentos disfuncionais, condições climáticas desastrosas e um segredo familiar obscuro acontecem.

Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.

This short film shot in Iceland and New York, which is based on a thirteenth-century Icelandic Laxdeala Saga, features Tilda Swinton as a young woman whose dreams foretell the future.

A short film by painter-turned-filmmaker Robert Longo, "Arena Brains" is a series of interlocking vignettes set in and around the art world of 1980s New York City, satirizing the neuroses and eccentricities of this milieu.

The story of Willard from Ashley's opera Atalanta, recounted in 3 parts.

A obra revolucionária de Lizzie Borden sobre provocação feminista e futurismo está repleta de energia da revolução. Born in Flames é uma cápsula do tempo de Nova Iorque pré-gentrificação dos anos 1980 e um filme turbulento e relevante para o nosso presente discordante.

Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.

Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."

When Ed Neilson's entire family is viciously murdered, he pleads with retired CIA operative Duke Smith (Robert Conrad) to investigate. He refuses, but relents after Neilson too meets an explosive death. Deception, international intrigue and a ruthless "syndicate of businessmen" intent on raping a South Pacific Islands nation of its resources keep the pace fast.

A psycho noir where stalkers, terrorists and government agents collide.