In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.
Young Man on the Terrace of the Flora (uncredited)
Esta adaptação de 1950 do mito órfico de Jean Cocteau retrata um poeta famoso (Jean Marais) desprezado pelos jovens da Margem Esquerda, bem como seu amor pela esposa Eurídice (Marie Déa) e por uma misteriosa princesa (Maria Casarès).
