Mark Waschke

During the summer vacations, the three friends are about to take a trip together to Romania, where they are allowed to complete an internship on the film set of "Dracula Rises", arranged for them by Peter's father, who is responsible for the special effects during the filming. No sooner do they arrive in Transylvania than mysterious events begin to pile up at Countess Codrina's old castle, which serves as the original setting for the film. The three detectives want to find out what all this may have to do with a boy who has been missing for over 50 years, a mysterious brotherhood and an enigmatic undead. Soon, not only the filming and Peter's relationship with his father are at stake, but also the friendship of the three investigators.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

Oliver, former European champion in the decathlon, came out after the end of his sporting career and divorced his wife Carolin. Since then he has had little connection to his 15-year-old daughter Alma. Oliver now lives in Hamburg with Felix, the owner of an outdoor shop. When Oliver's ex-wife dies after a car accident, Alma moves in with them at the request of her aunt Franziska. Full of mistrust of her homosexual father, the traumatized girl tries to initiate conflicts between Oliver and Felix and to break them up. Alma's friend Johannes also has reservations about gays. His family provides Alma with emotional support. Because Felix also shows a lot of understanding for Alma's needs, Oliver gets caught between the fronts.

When a crown rolled in front of his hooves, Louis, a sheep among other sheep, grabs it, puts it on and becomes king. From then on, he plays through everything that kings do to banish boredom and to demonstrate power. With a lot of humour, historical borrowings and a profound sense, the detailed stop-motion animation drives abuse of power to extremes in order to expose it.

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Franz Jägerstätter é um fazendeiro austríaco que se torna herói em circunstâncias um tanto quanto inusitadas. Quando ele é convocado a lutar junto ao exército alemão durante a Segunda Guerra Mundial, ele se recusa e acaba, com apenas 36 anos de idade, condenado à pena de morte por traição à pátria.

A violent supermarket incident involving a refugee in East Germany is reenacted in a film studio. Ten citizens observe and comment on the case, which highlights the blurred distinction between civil courage and vigilante justice.

The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.

As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.

Naomi, an Israeli Mossad agent, is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn.

Anja Altmann disappears after a birthday party. When the police ask husband Thomas about her , family attorney and friend Lavinia Bertok manage to dispel any suspicions about him. But soon Thomas is arrested. While the Altmann family start hurling accusations and recriminations at each other, Anja allegedly surfaces in Spain, raising a strange suspicion against Lavinia.

Bella Figura is a play where the stage direction "flottement" (a suspension, indeterminacy, or oscillation) occurs frequently, indicating a moment of silence when the characters and audience are left in ambiguous tension. The playwright Yasmina Reza wrote Bella Figura specifically for the Schaubühne director Thomas Ostermeier, and I imagine that she included these floating silences with him in mind.

It is a story about the Soviet worker Pyotr and the German engineer Hans, who came to the USSR before the war on a business trip. At a Soviet plant the German team works in cooperation with Russian specialists. Once Hans makes a mistake which causes the explosion of the furnace and human losses. Hans finds himself at the mercy of Pyotr, the only witness to his actions near the furnace. Pyotr also depends on Hans, because Pyotr’s very presence near the furnace entails accusation of subversive actions and a death sentence. Mutual suspicion gives way to silent sympathy and later friendship. They even look like each other, both have small children. Pyotr secretly leaves the town with his family but Hans feels loss rather that relief at the disappearance of the embarrassing witness.

A drama directed by Urs Egger.

36-year-old Birgit desires nothing more than an intact family. Since she lives with her husband Andreas, the common child Philip and Sarah, her daughter from a previous, failed relationship in solid economic conditions in a terraced house, she feels very close to her ideal. Through Sarah's puberty, the family is put to the test. But Birgit believes that luckily only the formal confirmation of the adoption of Sarah by Andreas is missing.

A dark psychological thriller, A Pact tells the twisted story of a contentious love triangle. As teenagers, Paul tricked Georg into handing over his girlfriend Anna to him. Georg agrees, on the condition that he can have her back whenever he wishes. After decades of silence, when Anna and Paul have a family together, Georg suddenly re-appears. Strange things start happening to Paul, and it soon becomes clear that Georg has not forgotten the pact.

& ME conta a história de Eduard ( Mark Waschke ), um burocrata gay e desiludido, que deixa Berlim para Bruxelas para ocupar um cargo no Parlamento Europeu. Lá ele conhece a bela e idealista jovem advogada Edurne ( Verónica Echegui ), da Espanha, que finalmente escapou das garras de sua mãe superprotetora ( Rossy de Palma ). Edurne se apaixona loucamente por Eduard, um homem bonito e sofisticado que ela pode mostrar ao mundo. Eduard está feliz em acompanhar a situação, surpreso com o nível de afeto que sente por essa jovem. Ele pode até chamar isso de amor, porque o amor é mais bizarro. O atraente Richard ( Teun Luijkx ) entra e logo é o foco da atenção de Eduard e Edurne. Será que Richard será a cola que os une ou a cunha que os separa? E todos eles, no processo, podem descobrir aquela coisa ilusória chamada felicidade?

Based on the best-selling psychology book by Paul Watzlawick, the film tells the story of Tiffany Blechschmid, a neurotic, moony, superstitious, contradictory and, no surprises here, single young woman in her late-twenties.

A young couple moves to a gated community (named Sechzehneichen), where soon the creative wife (a photographer) gets bored and the husband joins a secret mens' club. All the other wives seem strangely conservative and shallow. Basically a thinly veiled take on the Stepford Wives, just without any bit of humor or atmosphere, but instead filled with the sterile, unflinching and dry seriousness that makes watching a lot of our German films such a drag and a miserable experience.

Shortly before her 40th birthday, the successful surgeon Anne May is plagued by self-doubt: Actually, she would have to be satisfied, since she has long been married to her childhood sweetheart Peter and has built up a working family life with him. Nevertheless, Anne is deeply unhappy. When her husband is on a business trip, she meets Carolin Winter, the mother of a school friend of her son. Quickly, the two women make friends, Anne gets carried away by the joie de vivre of the native Chilean.

In the castle park of Ludwigslust lies a dead woman. Investigators encounter a wall of silence. Everyone knew the dead "Lulu", many have a motive, everyone is afraid. But from what? Sophia Eichstätt, analyst at the LKA Kiel, investigates in the case, which assumes ever larger dimensions. Who is the perpetrator, who is the victim? Sophia gets caught between the fronts and has to decide which side she's on. It is dangerous on both sides.

In the 1980s, an Israeli refugee, deemed a traitor, coaches West Germany's basketball team.

Verão de 1980. Barbara é uma pediatra que se viu transferida de Berlim para um hospital de uma cidade remota e isolada da Alemanha Oriental. A nova colocação surgiu depois de se ter candidatado a um visa para emigrar para o lado Ocidental do país. É lá que se encontra o seu namorado que prepara a fuga de Barbara enquanto a médica aguarda pacientemente pelo dia da sua libertação. O novo apartamento, os vizinhos, o Verão e o campo não significam nada para ela. No trabalho, Barbara é atenciosa, mas distante, seguindo as indicações do responsável do Hospital, André. Mas o médico confunde-a: deposita confiança nas suas capacidades profissionais, é carinhoso e o seu sorriso revelam um homem apaixonado. Ou será este médico um espia contratado para seguir os seus passos e revelá-los ao governo?

Sebastian (Mark Waschke) is a physics professor at the University of Jena and dealing for years with parallel universes. Meticulously, he tries to prove its existence scientifically. His college friend Oskar (Stipe Erceg), professor of theoretical physics at CERN in Geneva, smiles at Sebastian's firm belief in parallel universes and the many-worlds theory. In order to devote himself to the evidence in peace, Sebastian brings his son Nick to a summer camp, while his wife Maike (Bernadette Heerwagen) is on vacation in the mountains. At a rest stop Nick disappears out of the car and so for Sebastian a nightmare begins. Increasingly he is loosing more and more control. What really happened? It is fatal to his own theory? And who is this mysterious Schilf, which occurs abruptly in Sebastian's life?

Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable thrown back into her past - to the time before she met her new love. Is what seems at first glance a cruel setback in reality actually a second chance?

Some call it a men's holiday, the other flee from themselves: Thomas, Jens and Malte have rented a holiday home on a secluded Swedish lake - the complete contrast to life at home. They are only partially satisfied with that for different reasons. One is around 40, the first interim balance revealed weak points. But even in the Swedish forest, where there are at least one moose in addition to the free-running men, the guys catch up on the reality quickly. Because the wasteland is not as gullible as hoped ...

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

The world of Teresa Brandt ( Katharina Böhm ) turns upside down when her husband, Hans ( Götz Schubert ), unexpectedly falls into a coma. A woman is faced with a strenuous task - she has to take care of the entire economy, home and child herself. He does not give up hope that his beloved will recover and tries to cope with the task. The situation becomes even more complicated when the local engineer Sören Gawron ( Mark Waschke ) appears on the farm . The couple develops a thread of sympathy with each other. Their relationship grows stronger with each passing day.

A story set in a small village in Sudetenland between 1937 and 1945. "Habermann" is based on true events.

A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

Spring 2008 in a suburb of Munich: Hannah Bergmann and her father Frank are kidnapped. The kidnappers do not just want money, they want to destroy an empire.

O filme centra-se no destino de três gerações de uma família de comerciantes no norte da Alemanha, mostrando a ascensão e queda de seus integrantes. Numa sociedade pronta para a mudança, os valores familiares parecem também condenados a se transformar.

Adaptação da obra de Anton Tchekhov, 'A Gaivota'. Numa bela casa à beira do lago, uma família se entrega ao ócio. Porém, a paz e a confraternização não estão ali. Enquanto Konstantin escreve e Alex espera a morte e a atriz Irene lamenta e Agnes busca a verdade, paira no ar a solidão de cada um e a angústia, em contraponto à beleza do local.