/aL0neyduCDvvG03tBzEu9CZlcSK.jpg

Uma Tarde Qualquer (2007)

Gênero : Drama

Runtime : 1H 35M

Director : Angela Schanelec
Escritor : Angela Schanelec

Sinopse

Adaptação da obra de Anton Tchekhov, 'A Gaivota'. Numa bela casa à beira do lago, uma família se entrega ao ócio. Porém, a paz e a confraternização não estão ali. Enquanto Konstantin escreve e Alex espera a morte e a atriz Irene lamenta e Agnes busca a verdade, paira no ar a solidão de cada um e a angústia, em contraponto à beleza do local.

Atores

Jirka Zett
Jirka Zett
Konstantin
Miriam Horwitz
Miriam Horwitz
Agnes
Angela Schanelec
Angela Schanelec
Irene
Fritz Schediwy
Fritz Schediwy
Alex
Mark Waschke
Mark Waschke
Max
Agnes Schanelec
Agnes Schanelec
Mimmi
Katharina Linder
Katharina Linder
Astrid
Tobias Lenel
Tobias Lenel
Agnes' Vater

Tripulações

Angela Schanelec
Angela Schanelec
Director
Angela Schanelec
Angela Schanelec
Screenplay
Angela Schanelec
Angela Schanelec
Producer
Reinhold Vorschneider
Reinhold Vorschneider
Director of Photography
Justus Hasenzahl
Justus Hasenzahl
Lighting Technician
Johannes Grehl
Johannes Grehl
Sound Designer
Ulrike Müller
Ulrike Müller
Casting
Bettina Böhler
Bettina Böhler
Editor
Kai Tebbel
Kai Tebbel
Sound Editor
Gian-Piero Ringel
Gian-Piero Ringel
Executive Producer
Anette Guther
Anette Guther
Costume Design
Tom Bewermeier
Tom Bewermeier
Art Direction
Ingo von Heland
Ingo von Heland
Production Design
Frederic Moriette
Frederic Moriette
Script Supervisor
Stefan Butzmühlen
Stefan Butzmühlen
Assistant Director
Hansjörg Kopp
Hansjörg Kopp
Line Producer
Martin Steyer
Martin Steyer
Sound Re-Recording Mixer
Anton Chekhov
Anton Chekhov
Original Story
Jörg Schneider
Jörg Schneider
Producer
Ben von Dobeneck
Ben von Dobeneck
Producer

semelhantes

Great Grand Mother
This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.
The Great Road
The Great Road is a 1927 Soviet silent documentary film directed by Esfir Shub. It is the second in Esfir Shub's trilogy of films that began with The Fall of the Romanov Dynasty (1927) and concluded with Lev Tolstoy and the Russia of Nicolai II (1928).
Ocean Giants
A 3-part documentary granting a unique and privileged access into the magical world of whales and dolphins, uncovering the secrets of their intimate lives as never before. Episode 1: Giant Lives / Episode 2: Deep Thinkers / Episode 3: Voices of the Sea
Pare o Casamento!
Recém-viúva, Wendy (Lisa Whelchel) é um das maiores organizadoras de casamento da cidade. Mas os opostos se atraem quando Marco (Antonio Cupo), um irritante advogado especializado em divórcios, abre um escritório bem ao lado de seu local de trabalho. Apesar das grandes diferenças, os dois vão ter que unir forças quando o filho dele anuncia estar noivo de sua filha.
Jogo de Asfixia
Taryn finds herself gaining much-desired popularity when the charismatic new girl at school claims her as a “breath sister," teaching Taryn about the Choking Game. Hiding it from her ever-present mother, best friend, and teachers, Taryn sees choking as a way to build self-control and grab an easy high. But, as the stakes are raised through each subsequent ‘flight’, Taryn has no idea that she is actually putting her life in extreme danger.
Tour of Duty
There remains only silence in a US military camp town and the, soon to be demolished, surrounding entertainment district in the northern part of Kyounggi province. In the town, three ex-prostitutes live with pains engraved in their minds and bodies. This film poignantly shows pieces of their memories and their figures wandering through the forgotten site, and reveals the most pathetic truth left behind.
The Yes Men Are Revolting
Activist-pranksters Andy Bichlbaum and Mike Bonnano pull the rug out from under mega-corporations, government officials and a complacent media in a series of outrageous stunts designed to draw awareness to the issue of climate change.
Afterlife
A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.
Couleur locale
Marianne Riblon runs a small construction business in the south of France. Widowed and estranged from a daughter she hasn't seen in 15 years, she spends her time and working and has a life devoid of affection. An active member of the town council, she has strong conservative and racist convictions. One day, her daughter Charlotte calls her to tell her she's a grandmother. Her grandson, Nicolas, is 12 and is on his way to come see her. Charlotte wants her to take care of the child while she's being treated for leukemia. A the station, Marianne discovers the boy is half-black. The two learn to know each other...
The Falling
Abbie e Lydia são melhores amigas que estudam numa restrita escola para garotas. Após uma tragédia acontecer no local, uma misteriosa epidemia se espalha pela escola, ameaçando a estabilidade de todos os estudantes e as rigorosas regras impostas.
California Company Town
Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
One Cut, One Life
When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.
Love Me
Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.
Woodpeckers Don't Get Headaches
A young boy grapples with first love and his ambitions as a drummer during an eventful summer holiday.
Untold Odyssey: Reindeer Wrangling
A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.
Exams at Any Odd Time
Two novels united by common characters and a never-settled problem: the clash between sincerity of children and the heartless pragmatism and ambitions of grown-ups.
Monday Morning
Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.
Balcony
Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.
A Gift with a Character
Is it fun to be panda? May be... But not for Misha whose job is to work as a panda during birthday parties.
Lily of Life
Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.