Katell Djian

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

In 1818, Mary Shelley wrote Frankenstein; or, The Modern Prometheus, a powerful and timelessness novel which eternal theme is nothing other than man's quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.

O oceano contém a história de toda a humanidade. No mar estão as vozes da Terra e de todo o espaço. A água, fronteira mais longa do Chile, também esconde o segredo de dois misteriosos botões encontrados no fundo do mar. Com mais de 4 mil km de costa e o maior arquipélago do mundo, o Chile apresenta uma paisagem sobrenatural, com vulcões, montanhas e glaciares. Nessa paisagem estão as vozes da população indígena da Patagônia, dos primeiros navegadores ingleses que chegaram ao país, e também a voz dos presos políticos chilenos. Alguns dizem que a água tem memória. Este filme mostra que ela também tem voz.

O oceano contém a história de toda a humanidade. No mar estão as vozes da Terra e de todo o espaço. A água, fronteira mais longa do Chile, também esconde o segredo de dois misteriosos botões encontrados no fundo do mar. Com mais de 4 mil km de costa e o maior arquipélago do mundo, o Chile apresenta uma paisagem sobrenatural, com vulcões, montanhas e glaciares. Nessa paisagem estão as vozes da população indígena da Patagônia, dos primeiros navegadores ingleses que chegaram ao país, e também a voz dos presos políticos chilenos. Alguns dizem que a água tem memória. Este filme mostra que ela também tem voz.

This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

Entrevista não incluída no corte final de "Nostalgia da Luz" com um renomado astrônomo e astrofísico chileno a respeito de eventos cósmicos, como a energia escura, o espaço-tempo e as supernovas.

Entrevista não incluída no corte final de "Nostalgia da Luz" com um renomado astrônomo e astrofísico chileno a respeito de eventos cósmicos, como a energia escura, o espaço-tempo e as supernovas.

A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.

Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.

Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.

Na região rural francesa, o professor Georges Lopez educa 12 crianças. Durante um ano, ele dá aulas em uma sala com as ferramentas tradicionais do ensino francês. À medida que as estações passam, Lopez deve disciplinar seus alunos enquanto treina os mais velhos para os exames finais.

Um diretor de cinema idoso tenta filmar uma nova produção de uma peça de Musset em Sarajevo, que está em guerra. Durante a gravação, várias coisas estranhas acontecem com ele e seus atores, inclusive vão parar em um cenário rural apocalíptico.

I saw this happen : Raye left home. Why ? To see what was waiting for her out there. Europe ! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.

Guy, film critic of the Cahiers du Cinéma and terminal cinephile, plans to write about the Vittorio Cottafavi retrospective at the Alcazar, his local cinema. One day he notices that Jeanne, film critic of Postif, the rival magazine, seems to be following him. He is intrigued-- is she interested in him, or planning to poach his praise for Cottafavi in her own article?