Katell Djian

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

In 1818, Mary Shelley wrote Frankenstein; or, The Modern Prometheus, a powerful and timelessness novel which eternal theme is nothing other than man's quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.

대양과 고산, 해안선과 평원은 인류의 역사를 빼곡하게 담고 있다. 파타고니아의 토착민들, 최초의 영국 선원들, 정치범들 등 근대 칠레의 역사를 지나온 이들의 기억이 신비로운 자개 단추를 매개로 연결된다. 의 거장 파트리시오 구스만의 신작 다큐

대양과 고산, 해안선과 평원은 인류의 역사를 빼곡하게 담고 있다. 파타고니아의 토착민들, 최초의 영국 선원들, 정치범들 등 근대 칠레의 역사를 지나온 이들의 기억이 신비로운 자개 단추를 매개로 연결된다. 의 거장 파트리시오 구스만의 신작 다큐

This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

칠레의 3,000미터 고도, 아타카마 사막에 전 세계에서 온 천문학자들이 별을 관찰하기 위해 모인다. 하지만 그곳에는 독재 정권 아래 정치범들의 유해도 있다. 천문학자들이 어딘가에 존재할지도 모를 생명체를 찾아 멀리 떨어져 있는 우주를 관찰하는 동안 관측소기슭에서 여자들은 사막의 흙을 파내며 사라진 친척들을 찾는다. (2016년 제13회 서울환경영화제)

A short documentary interviewing a renown astronomer and astrophysicist.

A short documentary interviewing a renown astronomer and astrophysicist.

A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.

Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.

Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.

유치원생부터 초등학생까지의 모든 학생들이 한 선생님 아래 모여 공부하는 프랑스의 단일학급에 관한 이야기. 세상으로부터 분리된 곳과, 세상의 문을 열고 나가는 사이에서 이 작은 집단은 매일매일의 삶을 공유할 수밖에 없다. 2002년 프랑스에서 개봉되어 다큐멘터리로는 유례 없는 170만명 이상의 관객을 동원했었다.

고다르는 이 영화를 1996년 칸 영화제에 출품하여 건재를 과시했다. 뮈세의 연극, 보스니아 전쟁, 그리고 늙은 감독의 작품 만들기와 그 실패가 모차르트의 음악과 어우러진다. 고다르의 분신이기도 한 노감독을 통해 고다르는 상업이라는 이름으로 감독에게 가해지는 폭력을 보스니아 전쟁과 병치시킨다. 유럽의 장래에 대한 고다르의 우려가 엿보이는 작품.

I saw this happen : Raye left home. Why ? To see what was waiting for her out there. Europe ! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.

Guy, film critic of the Cahiers du Cinéma and terminal cinephile, plans to write about the Vittorio Cottafavi retrospective at the Alcazar, his local cinema. One day he notices that Jeanne, film critic of Postif, the rival magazine, seems to be following him. He is intrigued-- is she interested in him, or planning to poach his praise for Cottafavi in her own article?