Boy Gobert
Nascimento : 1925-06-05, Hamburg, Germany
Morte : 1986-05-30
Udo von Gerresheim
Konzernchef
In a totalitarian society of the future, in which the government controls all facets of the media, a homicide detective investigates a string of bombings, and finds out more than he bargained for.
Director
Astrow
Director
Polizeichef
Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.
Benedikt
Möbius
Director
Prinz von Arragon
Junker von Bleichenwang
Romney, George
The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.
George Bryan Brummell
Lord Chesterfield
Valentin
Chevalier Dumont
Director
Kaubach
A diverse group of friends gather to celebrate a witless woman's birthday in this comedy drama set in France during World War II. The guests include an uncle who is a Nazi collaborator, a blind war veteran, a simpering physician, an arrogant educator, a patriotic girl, and the husband of the guest of honor. When some German soldiers are killed outside the house, the group is told by the Gestapo that they must choose among themselves two who will be shot if the killer is not caught. If two victims are not chosen, all seven at the party will be captured. Things sound pretty grim, but the black comedy begins when all seven try to save themselves by any means possible.
Prinz Orlofsky
Pierre Papillon Jr.
Slippery
Count Bobby assumes the identity and dresses of his sick aunt because they desperately need the money for chaperoning Mary, a wealthy American heiress, on her trip through Europe. Bobby falls in love with Mary, but his dress is a handicap.
Meissinger
Federico
Taschen-August
Eugen Rümpel
Emil
Robert Guiscard
Kai Brinkmann, ein Seemann
Eduard von Persipan, Obrist
Jaroslaw Martini
Mike R. Krantz
'The Rest Is Silence, a German-made attempt to update Shakespeare, is one of the best and least self-conscious of this minor genre. As indicated by the title, the film's script is a "mufti" version of Hamlet, with young Hardy Krüger trying to prove that his uncle has killed his father. Direct references to the Shakespeare original abound, right down to the re-enactment of the crime for the benefit of the Uncle and the periodic appearances of the ghost of the hero's father.'
Bernd Werding
Peer
Gustave
Hofmarschall von Kalb
Graf Elopatak
The new-rich mother of a film child who became famous overnight is trying to bring her little son together with the twelve-year-old king of a Balkan country, who is currently in Brussels, for validity and advertising reasons. The children actually get to know each other and run away with an 'Liftboy' to Antwerp for adventure.
Ramon Cadalso
Carl von Heymendorf
Freddy Weller
Billie Bartlett
Sir Jackie Taft-Holery
Lord Arthur Savile
Karl
Rombach, Kunsthändler
Fritz Hohebirke
Monpti (old)
A poor 22 years old Hungarian man who's recently arrived in Paris meets a seemingly wealthy 17 years old Parisian girl. They fall in love, but tragedy ensues when the truth behind the girl is revealed.
Emil Bayerl
Hotelbesitzer Ernst Castell
Lacoste
Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she's discovered by an agent, who thinks, that she really is a man. She becomes famous, but her situation becomes troublesome, when she falls in love with Robert.
Harold Biggers
Manfred von Pisewitz
Regisseur im Revuetheater
Freddy Evans
Bob Webster
Ambrose Kemper
Baron Karl-Heinz von Schlankenhalten