Helena Buljan

This TV series follows the life of Andrija Hebrang (1899-1949), a Croatian and Yugoslav communist politician. A member of the Communist Party of Yugoslavia until his dismissal, he served as the 4th Secretary of the Central Committee of the Communist Party of Croatia.

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

The main character Struja (Stream) is an unyielding rock musician in a demo-band called When Dirty Harry Met Dirty Sally. Struja would do anything to gather money to record the album as long as it doesn't involve giving up his rock musician beliefs. However, playing pop songs at weddings seems to be the only way out, and the rest of the bend - Struja's best friend and keyboard player Mario (Ivan Duricic), Deni, a handsome singer and bass player (Ivan Glowatzky) and Zlajfa, an indifferent drummer (Hrvoje Keckes) - are trying to persuade Struja to make a compromise. At the beginning he is very firm and reluctant to give in, but when Anja, the girl he left, announces that she is pregnant with his baby, Struja suddenly realizes that there are bigger issues in life than playing at wedding.

Decorrendo entre as atrocidades da guerra dos Balcãs, Testemunhas é recontado, ao estilo de Rashomon, do ponto de vista de várias personagens, acrescentando novas informações sobre a complexidade da guerra e da humanidade. Começando dentro de uma casa rústica com uma mulher em preto (Mirjana Karanovic) em pé ao lado do caixão do marido, Testemunhas entrelaça as histórias de uma pequena cidade a confrontar-se com o ódio étnico e profundas ambiguidades morais.

Ante is a village fella who arrives in Zagreb to study at the faculty of forestry.

Classical music program on one Zagreb radio station is suddenly interrupted when disturbed war veteran, armed with hadngrenade and explosives, breaks in with strange demands and convincing threats.

A pseudo biography of Dora Pejačević (10 September 1885 - 5 March 1923), a Croatian composer.

After spending 13 years in prison, forty-year-old Djuka Begovic returns to his home-village in Slavonia. He promises to his mother that he will begin a new and honest life. He finds new meaning in taking care of his daughter Smilja. He tries to chase away destructive thoughts that threaten to overwhelm him by throwing himself into hard work. However, everything around him reminds him of his past and his family's tragic destiny. His family was wealthy at the beginning of the twentieth century, but was destroyed by the capitalist powers that took over the villages and broke the traditional family cooperatives. Djuka's personal life was marked by constant conflicts with his father.

This film is based on the true story about Jovan Stanisavljevic alias Charuga, the bandit who became a legend in post-WW1 Slavonia, Croatia.

Musicologist and professor Kosor wakes up in a hospital. He has survived a serious car accident. In a bed next to his lies the amiable economist Gajski, whose wife Melita regularly visits him. This unusually beautiful woman is the first person that Kosor sees after he gains consciousness and is completely enchanted by her. Kosor becomes obsessed by Melita’s physical beauty and her trustworthy character and begins a risky game of writing and sending her anonymous love letters…

Based on a TV sit-com series and set in World War II, about how an ordinary woodcutter develops into an active partisan fighter.

The adaptation of a lesser known novel by Nobelist Ivo Andric, which describes the life of a spinster who was overwhelmed by a single passion: avarice.

A film about a small-time gangster, a loser who seems is finally on the road of going straight.

A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...

The action takes place in a village where police investigates a murder committed because of an accordion.

A Partisan unit goes into battle with the enemy twice stronger, somehow resists detachment to attack deep into the night, where the fraud are captured combatants from all units and thrown to the terrible torture and eventually murder.

A coal miner works harder than everything else to make his country proud.

Os dois amigos estão a tentar seguir em frente com as suas vidas deixando as agruras da ociosidade. Um estudo existencial de vidas comuns vividas por dois trabalhadores de colarinho branco alienados, Vida Acidental foi a única longa metragem de Ante Peterlić, teorizador de cinema e crítico de filmes croata. O filme recebeu críticas medíocres e passou praticamente despercebido após a sua publicação, mas tem sido reavaliado décadas mais tarde como um dos melhores filmes croatas de sempre.