Dinara Drukarova

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free. Debut film.

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free. Debut film.

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free. Debut film.

Uma jovem finlandesa foge de um enigmático caso amoroso em Moscou ao embarcar em um trem para o porto de Murmansk. Ela acaba forçada a compartilhar a longa viagem e um minúsculo vagão-dormitório com um minerador russo. Esse encontro inesperado leva os ocupantes do compartimento nº 6 a enfrentar a verdade sobre seus próprios desejos. Representante da Finlândia no Oscar 2022 de Filme Internacional. Vencedor do Grande Prêmio do Júri no Festival de Cannes 2021.?

Come and see how teenagers enjoy life, love & lust through their first relationship, and being eager to gain as much experience as possible!

No dia do seu aniversário, Polina foge de casa em busca da verdade sobre si mesma, e descobre uma jornada mágica. Agora, ela tem até a meia-noite para desvendar mistérios através de mundos imaginários para conhecer seu passado.

A young woman lavishes the last care on her mother's lifeless body. At his side, a woman watch, a babouhcka , as they say among the Russians. The young groped, the day before with a sure hand, wash this body, prepare it. They accompany him, rock him and console him by the last goodbye.

A young woman lavishes the last care on her mother's lifeless body. At his side, a woman watch, a babouhcka , as they say among the Russians. The young groped, the day before with a sure hand, wash this body, prepare it. They accompany him, rock him and console him by the last goodbye.

A young woman lavishes the last care on her mother's lifeless body. At his side, a woman watch, a babouhcka , as they say among the Russians. The young groped, the day before with a sure hand, wash this body, prepare it. They accompany him, rock him and console him by the last goodbye.

Serge and his four colleagues work in a small company that has just been brought out by a large corporation. As a welcoming gift, they are invited by their new employer to spend a day of relaxation at a spa.

Ao retornar para Colmar, na França, a jovem de 15 anos Sarah, decidiu volta a patinar e ingressar na competição profissional. Para isso, terá que lidar novamente com toda a grande rivalidade entre as meninas com as duras palavras e tratamento de seu treinador. Além disso, seu corpo será colocado à prova no gelo, enquanto também precisará deixar de lado suas ambições de adolescente

Raphaël is 50-something and in a rut. Without telling his wife, he buys a sailboat and convinces his childhood friend Patrick, an eternal teenager, and Alain, a hypochondriac, to go on a tour of the Mediterranean Sea with him. Holidays just like in the old days! The three friends however soon notice that they are not as fit as they used to be and don't really share the same interests anymore. All that changes when they take two much younger women on board who join them on their tour...

This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.

August 1914. While Jean Mordant is away winning the title of Wrestling Champion of the World in Buenos Aires, his daughter Mimi is raped by German occupiers in Ostend. Jean swears he will avenge this immoral disgrace. With his coach Victor and young nephew Guido, he enrolls in the prestigious ACM (Armored Car Division). But the heavily-built armored vehicles keep getting stuck in the mud of Flanders. The battalion is hastily transferred to the Eastern front. Jean is devastated by frustration for he has just learned that Mimi is pregnant. But war conditions are ruthless and he and his friends embark on a dramatic journey that ultimately will drag them around the world.

Paul Dédalus (Mathieu Amalric) recorda sua infância e adolescência. Família, amigos, dores, estudos, a descoberta da antropologia e, principalmente, a paixão por Esther (Lou Roy-Lecollinet). Dirigido pelo mestre francês Arnaud Desplechin ("Um Conto de Natal") e exbido no Festival de Cannes e Mostra de São Paulo, em 2015.

Divorciada recentemente, a cientista norueguesa Marie passa seus dias fiscalizando pistas de esqui, enquanto evita deliberadamente seu ex. O orgulho do instituto de medida onde trabalha é um quilo de peso perfeito, modelo para todas as medições do país, que Marie deve levar para uma grande conferência na França. É sua primeira vez no evento, e a primeira vez que seu pai, colega seu e uma lenda entre cientistas, não vai estar presente. Quando uma emergência familiar abala Marie, ela se vê forçada a encarar novos universos.

One evening, a woman enters a police station and confesses to having killed her violent husband several years ago. As she listens to her fantastic story, the policewoman is increasingly less inclined to arrest her. Just why is the woman so eager to confess her crime, and why is the policewoman so reluctant to take her into custody?

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

Georges e Anne são octogenários, pessoas cultas, professores de música reformados. A filha, igualmente música, vive no estrangeiro com a família. Um dia, Anne é vítima de um acidente. O amor que une este casal vai ser posto à prova…

360 é uma reunião de histórias dinâmicas e modernas, passadas em diversas partes do mundo. Laura (Maria Flor) é uma mulher que deixou a vida na terra natal para tentar a sorte em Londres ao lado do namorado Rui (Juliano Cazarré). Ao descobrir que o parceiro está tendo um caso com Rose (Rachel Weisz), ela decide voltar para o Brasil. Na volta pra casa, ela conhece um simpático senhor (Anthony Hopkins) e Tyler (Ben Foster), duas pessoas em momentos difíceis em suas vidas. Num outro lado da história, Mirka (Lucia Siposová) é uma jovem tcheca que começa a trabalhar como prostituta para juntar dinheiro. Ao mesmo tempo, lida com a desaprovação da irmã Anna (Gabriela Marcinkova). O primeiro cliente de Mirka é Michael (Jude Law), que por sua vez é casado com Rose.

Eles se encontram em um quarto de hotel. Lá fora a noite cai.

Rita's daughter is sick with leukemia. In order to obtain the money for a bone marrow transplant, she travels from Ukraine to Russia to become a surrogate mother. The homosexual couple who are the biological parents of the child die in an automobile accident. Rita is left six month pregnant, without any money, and with a dying daughter to care for. In order to save her daughter, Rita is prepared to do anything. She's drawn into the criminal world, from which she escapes with her daughter to Jordan in the Near East, where Bedouins treat cancer by means of nontraditional medicines.

Filho de judeus russos, Lucien Ginsburg passa a infância na Paris dos anos 1940, ocupada pelos nazistas. Quando jovem, é um poeta tímido que oculta suas pinturas no quarto, logo abandonado em troca da agitação dos cabarés dos anos 60. De noite em noite, dá vazão a sua voz e a seu talento de vanguarda, que o transformam no ícone subversivo Serge Gainsbourg, um dos mais importantes cantores e poetas da língua francesa. Enquanto as criaturas que habitam seu mundo dançam de forma imaginária em seu entorno, sua verve encontra eco na vida boêmia e nos amores tumultuados que tem ao longo da vida.

An elderly woman wants to meet her son’s murderer. A sixteen-year-old girl who has crossed paths with a young hoodlum needs an adult to accompany her to the prison visiting room. A young medical supplies delivery man is offered a deal to take the place of a gangster inmate so that the latter may escape. Two women, one man, three destinies that come together in the visiting room of a prison…

It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.

When the dead body of Mr Kaplan is found, a kitchen knife in the back, all eyes turn to the maid. When the widow reveals that her departed husband was incapable of giving her children, all eyes turn to the widow. Beneath this passionate crime, a modern day detective will discover that temptation, devotion, remorse and desire are the best fuels for killing love.

Laura adota um bebê tailandês e depois de alguns anos começa a sentir alguma coisa diferente na criança. Após um acidente que o deixa em coma, Laura decide investigar a origem do menino e encontra muitas histórias estranhas e sobrenaturais.

Twenty-year-old Kamal has been married for a few months but his wife is still a virgin. Learning that there is nothing physically wrong with him after visiting a doctor, Kamal sets off to town to search for another woman. The city is full of them but Kamal is still unable to meet anyone, until a chance encounter on a bus. But it looks as if this accidental meeting will take Kamal much farther than he was prepared to go… By the director of ‘Angel on the Right’. —Celluloid Dreams

At night she dreams about it, during the day she believes she's dreaming. However, Élise continues, reacts, and despite her pain, chooses life.

The year is 1817. Minon, a five-year-old girl, leaves her aunt Therese of Brunswick, who has raised her like a mother since her birth, to go and live with her parents, the Count and Countess von Stakelberg. One day, Gabrielle, her housekeeper, who is no longer in her right mind, reveals that her real father is the composer Ludwig van Beethoven. Twenty years later, still intrigued by this confession, Minon decides to unravel the mystery of her origins. She returns to the place of her early childhood, hoping to find the truth with her aunt, who was for years the faithful friend of the great composer.

Jean-Pierre is a hit man in Paris. He wants to stop; an incentive is reconnecting to Michelle, a childhood friend. He's ready to commit himself to her, but she has her own secrets: she sells bomb components to thugs. He hears rumors of a missing briefcase, which he finds in Michelle's flat. He asks no questions, and soon both of them are in trouble with Jean-Pierre's ex-employer and with her bomb buyers. Two other characters complicate the maneuvering: Jean-Pierre's best friend, who's always losing money on the ponies, and the ex-employer's new contract killer, a seemingly fragile woman. Is there any way that Jean-Pierre can protect Michelle and escape with his life? Written by

Nicola, a young filmmaker, drags an amateur film crew along to meet Matthieu, a paralyzed poet in an electric wheelchair, who lives in a mill. As time goes by and nothing really takes shape, Nicola realizes the inanity of his project, the film slips more and more out of his control and he becomes increasingly absorbed in a ludicrous, poetical search for inspiration.

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

Bruno, a communist newspaper journalist, is suffering a mid-life crisis. Torn between his wife Gaëlle and his young girlfriend Nathalie, his political beliefs battered by the wind of history, Bruno seems to have lost his bearings.

A young Estonian goes to the Siberian Taiga to live as a hunter in a remote forest hut. He hopes to find his true self far from civilisation. The natives he meets introduce him to the myths of the north. The first is a young village teacher who wants to be a good wife to him. The second is a wild and untameable native who becomes his mythical bear-woman. When he accidentally kills a great black bear, his own shadow-creature, he burdens himself with guilt. However, he is given a chance of finding his inner balance. A romantic drama with mythical elements and breathtaking landscapes.

You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.

It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. The portrayed kids are old men, acting wise and tough while in fact they're victims.

This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.

The events of the film take place in a resort area South of the seaside city, beautiful and alien. The heroine of the film - girls orphanage for children with a sick spine, physical energy of the characters looking out in painfully cruel scheme of mutual relations. And finds cruel and unfair to the weaker......