Isabel Richer

A man deals with agoraphobia.

Walid works in a grocery store thanks to an integration program. After a difficult day where clients have argued and his boss yelled at him, he tries to end his life. He is saved by Antonin, an extroverted employee who decides to follow him everywhere in order to avoid an irreparable gesture. Together, they roam the city, multiplying chance encounters. Antonin even decides to bring him to his support group. Regardless of the results, he will do everything in his power to make his new friend want to live again.

Rémy is always between two planes, travels to Shanghai on business. During this trip, he takes the opportunity to cheat Dominique first with a woman, then with a man. Upon his return, his wife puts him out after showing him more than compromising photos of his Asian aspirations.

With the villagers of Saint-Élie-de-Caxton barely having enough food to survive, Ésimésac convinces them to collaborate on a community garden. Each person will multiply his or her yield by cultivating the land together. At the same time, talk of a new railway line promises to connect Saint-Élie-de-Caxton to the rest of the world and brings the hope of abundance. Riopel, the hulking blacksmith, starts working on the railway track and convinces the locals to invest in his project rather than waste their time playing in the garden. Ésimésac’s big project flounders under the weight of metal. But can he really stop progress?

Thanks to his wife Madeleine, a social worker who saved him from the street when he was 17-years-old, Pierre Dalpé has become a prosperous entrepreneur, running a garbage-collection business in the Montreal area. His quiet happiness with his wife and their children changes when he crosses paths with Eve, a teenage drug addict/prostitute who belongs to a street gang. At the risk of destroying everything he’s built up, Pierre decides to make it his mission to help Eve get out of her unhealthy situation before she dies of an overdose, like his sister did. But in doing so, he has to confront his old demons, to Madeleine’s despair, as she feels him slipping farther away from her every day.

A mother moose’s journey through nature’s eternal cycles.

The adventures of Babine, the son of a witch and a village pariah, as he ventures forth into the world and narrowly evades death.

As their mother lies in a coma, two brothers discuss the advantages and disadvantages of adultery, under the nose of their virtuous elder, who tries in vain to discourage them.

During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.

Louis is "repo man" who is no stranger to strong-arm tactics in his work, but he has dreamed of becoming an actor since he was a child. When cousin helps him get an audition, he gets the help of a fam... read more ous actor to him secretly rehearse his scenes. He doesn't even tell his girlfriend Suzie But, Suzie also has a secret. She's pregnant and doesn't want her child to grow up in an atmosphere of violence.

Em meados do século XVIII, a França e a Inglaterra estão em disputa pelo domínio da colônia canadense Nova França. Em meio à disputa é a igreja quem oferece consolo à população, com o padre Thomas Blondeau (Gérard Depardieu) sendo bastante respeitado. Entretanto o padre Thomas sente uma intensa paixão pela jovem viúva Marie (Noémie Godin-Vigneau), o que faz com que traia sua confiança e a afaste propositalmente de seu grande amor, o aristocrata François Le Gardeur (David La Haye).

In this sequel to the popular adventures of Mademoiselle C, the strange Mademoiselle Charlotte began a new life as a postwoman in Saint-Gérard where she encounters a particularly dishonest businessman.

The village of L'Espérance is perched between the mountains and the great river. Its inhabitants include young people - who don't have much of a future - as well as many widows and old men. The village continues to be haunted by the tragic death of 13 miners. One day, a stranger arrives. The young man, at once charming and mysterious, has an immediate effect upon the village. The longer he stays in the village, the stronger blow the winds of desire. The village's prevailing melancholy gives way to love and happiness. However, not everyone is pleased by the arrival of the stranger, who becomes more and more inquisitive about the tragedy of the old mine. What are his real motives? Is he really who he claims to be? As passion and doubt collide, the entire village is transformed by events which come crashing down like waves against the high cliffs.

Pauline goes on trip and never returns. Did she deliberately vanish, or did she just abandon her life, or is this an invitation for someone to start searching for her? Simon, her fiancé, intends to find out... Several months after the disappearance, Simon learns of Pauline's death abroad. While cleaning out her apartment, Simon discovers that Lazare, Pauline's cat, still occupies his master's apartment. He possesses an extraordinary long-term memory... and a need for revenge!

After inheriting a pig farm from their father, sisters Stephane and Betty do their best to keep the family business running. But while the very pregnant Betty is diligent about doing the work that needs to be done, Stephane can focus only on her crippling gambling problem, which has landed her in deep trouble with her creditors. Desperate for cash, she considers a dangerous option for repaying the debt … but will it work?

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

This free-form Canadian drama chronicles the dysfunctional lives of six young people living in Montreal during the summer of 1994. All of the characters are in their twenties, and all are dissatisfied with modern life. Rita is hell on rollerblades and makes her free-wheeling living snatching purses and breaking into cars. She camps out in the apartment of her wealthy friend, Roxan who devotes her spare time to caring for the homeless. Lloyd is a skinhead Deejay for an alternative radio station. His self-important, outrageous ranting provides the background for the rest of the stories. Lloyd is in love with Loulou, a barmaid at a punk club. Loulou is involved in a boring relationship with liquor store clerk, Marc; she looks to Lloyd for excitement. Finally there is screwed-up Henriette, who is so busy venting her neurosis in her shrink's office that she has no time to listen to the doctor's advice.

This free-form Canadian drama chronicles the dysfunctional lives of six young people living in Montreal during the summer of 1994. All of the characters are in their twenties, and all are dissatisfied with modern life. Rita is hell on rollerblades and makes her free-wheeling living snatching purses and breaking into cars. She camps out in the apartment of her wealthy friend, Roxan who devotes her spare time to caring for the homeless. Lloyd is a skinhead Deejay for an alternative radio station. His self-important, outrageous ranting provides the background for the rest of the stories. Lloyd is in love with Loulou, a barmaid at a punk club. Loulou is involved in a boring relationship with liquor store clerk, Marc; she looks to Lloyd for excitement. Finally there is screwed-up Henriette, who is so busy venting her neurosis in her shrink's office that she has no time to listen to the doctor's advice.