Jorge Krimer

Filmes

Roseanna's Grave
Salvatore
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.
O Caso Aldo Moro
On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII. 55 days later, his body will be found in the trunk of a car. This is a neutral and factual account of what happened in between.
Saving Grace
Secretary, Sistine Chapel
A newly-elected Pope Leo XIV finds himself accidentally locked out of the Vatican. Unknown to the outside world, he winds up in an impoverished Italian village, where his adventures ultimately teach the Pope and his new friends some important lessons about friendship and self-esteem. Written by Chris DeSantis
Salomé
2nd Guest
John the Baptist, the prophet of Israel, is imprisoned by Herod, governor of Judea for protesting Herod's marriage to his brother's wife. Jealousies rage and Herod's step-daughter and niece Salome seduces Herod by means of a torrid dance to give her the head of the prophet - but then tries to save the life of the man she has thus condemned. Updated to a WWII setting
In the Highest of Skies
Adelio
A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.
Hilarisdoppio
(voice)
Self-shot: a film shot without a camera operator. Sole witness: the movie camera. Fixed, directed at a single expanse, obedient to the orders of wires that I manipulate: characters splitting in two through the asymmetrical filtration of the comings and goings of self-irony. Composed of various extracts of historical films, such as the Eisensteinian battleship, intercut with stairways of various sorts; the unceasing use of negatives persecuted by positives and vice versa; a cinematic-theatrical dialogue between philosophical doubling and filmic doubling.