Costume Design
Overworked and underpaid, Angela drives around the city of Bucharest to film the casting for a 'safety at work' video commissioned by a multinational company. When one of the interviewees reveals the company’s liability in his accident, a scandal erupts.
Producer
Overworked and underpaid, Angela drives around the city of Bucharest to film the casting for a 'safety at work' video commissioned by a multinational company. When one of the interviewees reveals the company’s liability in his accident, a scandal erupts.
Costume Design
An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.
Writer
An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.
Director
An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.
Screenplay
Overworked and underpaid, Angela drives around the city of Bucharest to film the casting for a 'safety at work' video commissioned by a multinational company. When one of the interviewees reveals the company’s liability in his accident, a scandal erupts.
Director
Overworked and underpaid, Angela drives around the city of Bucharest to film the casting for a 'safety at work' video commissioned by a multinational company. When one of the interviewees reveals the company’s liability in his accident, a scandal erupts.
Director
In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.
Self (segment "A Belarusian Stork")
In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.
Director
Six shorts by Radu Jude:Plastic Semiotic,To Punish, To Discipline,The Potemkinists, Memories of the eastern front,Caricaturana and The Marshal's Two Executions
Director
The film written and directed by Radu Jude starts from the gesture of defiance against Russia made in 1905 by the sailors on the cruiser Potemkin, who received political asylum in Romania. In 2021, a sculptor (played by Alexander Dabija) is trying to make a work inspired by this event.
Director
A cinematic analysis of a photo album made by a Romanian Army unit in WW2.
Screenplay
The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.
Scenario Writer
The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.
Director
The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.
(voice)
Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.
Director
Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.
Director
Screenplay
Emi, uma professora, vê sua carreira e reputação ameaçadas depois que uma fita de sexo pessoal vazou na Internet. Forçada a encontrar os pais exigindo sua demissão, Emi se recusa a ceder à pressão deles. Radu Jude (Aferim!) Oferece uma mistura incendiária de forma não convencional, humor irreverente e comentários mordazes sobre hipocrisia e preconceito em nossas sociedades.
Director
Emi, uma professora, vê sua carreira e reputação ameaçadas depois que uma fita de sexo pessoal vazou na Internet. Forçada a encontrar os pais exigindo sua demissão, Emi se recusa a ceder à pressão deles. Radu Jude (Aferim!) Oferece uma mistura incendiária de forma não convencional, humor irreverente e comentários mordazes sobre hipocrisia e preconceito em nossas sociedades.
Producer
Em 29 de junho de 1941, os judeus da cidade de Iasi, na Romênia, foram presos e agredidos, tiveram suas lojas e casas saqueadas e a maioria dos homens foram alvejados ou amontoados em trens, onde morreram asfixiados. Enquanto os alemães participaram desse massacre étnico, a maior parte dos perpetradores eram policiais, militares e civis romenos. Com uma abordagem radical e reduzida, o filme lista os nomes daqueles que morreram, ilustrando-os com fotos de passaportes e álbuns de família, enquanto relatos são ouvidos através de uma narração. Por meio da repetição, do acúmulo e da variação, os cineastas tornam palpável a escala da atrocidade e dão forma concreta ao número de vítimas.
Screenplay
Em 29 de junho de 1941, os judeus da cidade de Iasi, na Romênia, foram presos e agredidos, tiveram suas lojas e casas saqueadas e a maioria dos homens foram alvejados ou amontoados em trens, onde morreram asfixiados. Enquanto os alemães participaram desse massacre étnico, a maior parte dos perpetradores eram policiais, militares e civis romenos. Com uma abordagem radical e reduzida, o filme lista os nomes daqueles que morreram, ilustrando-os com fotos de passaportes e álbuns de família, enquanto relatos são ouvidos através de uma narração. Por meio da repetição, do acúmulo e da variação, os cineastas tornam palpável a escala da atrocidade e dão forma concreta ao número de vítimas.
Director
Em 29 de junho de 1941, os judeus da cidade de Iasi, na Romênia, foram presos e agredidos, tiveram suas lojas e casas saqueadas e a maioria dos homens foram alvejados ou amontoados em trens, onde morreram asfixiados. Enquanto os alemães participaram desse massacre étnico, a maior parte dos perpetradores eram policiais, militares e civis romenos. Com uma abordagem radical e reduzida, o filme lista os nomes daqueles que morreram, ilustrando-os com fotos de passaportes e álbuns de família, enquanto relatos são ouvidos através de uma narração. Por meio da repetição, do acúmulo e da variação, os cineastas tornam palpável a escala da atrocidade e dão forma concreta ao número de vítimas.
Director
Radu Jude's contribution to Cinem@casa, which he produced in isolation during the pandemic.
Director
In "Spaces #2", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "A Fable" is Radu Jude's submission.
Screenplay
A história de Mugur Calinescu, um adolescente romeno que pichou mensagens de protesto contra o regime do ditador Nicolae Ceausescu e foi posteriormente preso, interrogado e aniquilado pela polícia secreta.
Director
A história de Mugur Calinescu, um adolescente romeno que pichou mensagens de protesto contra o regime do ditador Nicolae Ceausescu e foi posteriormente preso, interrogado e aniquilado pela polícia secreta.
Director
Punish: a reading of parts of a novel in which a military officer gives a clinical, amoral account about his role in the violent oppression of revolutionaries in 1848. Discipline: a collection of photographs of a chubby and harmless soldier at home and at work from the 1950s to the 70s.
Screenplay
The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
Director
The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
Writer
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Director
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Director
During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
Screenplay
During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
Himself - Narrator
Um documentário-ensaio que mostra uma coleção de fotografias de uma pequena cidade romena nas décadas de 1930 e 1940. A trilha sonora, composta principalmente por excertos tirados do diário de um médico judeu da mesma época, retrata o que as fotografias não fazem: o aumento do antisemitismo e, eventualmente, a descrição angustiante da perseguição romena dos judeus, um assunto raramente falou no contemporâneo Romênia.
Writer
Um documentário-ensaio que mostra uma coleção de fotografias de uma pequena cidade romena nas décadas de 1930 e 1940. A trilha sonora, composta principalmente por excertos tirados do diário de um médico judeu da mesma época, retrata o que as fotografias não fazem: o aumento do antisemitismo e, eventualmente, a descrição angustiante da perseguição romena dos judeus, um assunto raramente falou no contemporâneo Romênia.
Director
Um documentário-ensaio que mostra uma coleção de fotografias de uma pequena cidade romena nas décadas de 1930 e 1940. A trilha sonora, composta principalmente por excertos tirados do diário de um médico judeu da mesma época, retrata o que as fotografias não fazem: o aumento do antisemitismo e, eventualmente, a descrição angustiante da perseguição romena dos judeus, um assunto raramente falou no contemporâneo Romênia.
Screenplay
Na Europa, no início do século XIX, um guarda e seu filho atravessam o continente em busca de um escravo em fuga. Pelo caminho, descobrem diversas diferenças culturais, e muitos preconceitos que os povos alimentam uns contra os outros. Vencedor do Prêmio de Melhor Diretor (para Radu Jude) no Festival de Berlim, em 2015. Representante da Romênia na disputa pelo Oscar de Melhor Filme Estrangeiro, em 2016.
Director
Na Europa, no início do século XIX, um guarda e seu filho atravessam o continente em busca de um escravo em fuga. Pelo caminho, descobrem diversas diferenças culturais, e muitos preconceitos que os povos alimentam uns contra os outros. Vencedor do Prêmio de Melhor Diretor (para Radu Jude) no Festival de Berlim, em 2015. Representante da Romênia na disputa pelo Oscar de Melhor Filme Estrangeiro, em 2016.
Director
Directed by four different filmmakers and produced by different production companies, these four short films share a common theme - life and death - and a common origin - all four are independent productions made with a little help from all our friends.
Producer
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Screenplay
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Director
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Director
In a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman's side for saying a prayer.
Screenplay
Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.
Director
Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.
Producer
Considering that his life is a failure, a man records himself leaving a video-message to his loved ones. After this message, which tackles, in funny and sad ways, a lot of issues, both personal and social, he shoots himself in the head. But he fails. And what follows is the a ridiculous and horrific agony, that probably changes the characters' vision about life... A film done basically in one single shot.
Writer
Considering that his life is a failure, a man records himself leaving a video-message to his loved ones. After this message, which tackles, in funny and sad ways, a lot of issues, both personal and social, he shoots himself in the head. But he fails. And what follows is the a ridiculous and horrific agony, that probably changes the characters' vision about life... A film done basically in one single shot.
Director
Considering that his life is a failure, a man records himself leaving a video-message to his loved ones. After this message, which tackles, in funny and sad ways, a lot of issues, both personal and social, he shoots himself in the head. But he fails. And what follows is the a ridiculous and horrific agony, that probably changes the characters' vision about life... A film done basically in one single shot.
Writer
Delia, uma adolescente simples de uma pequena cidade do interior da Romênia, entra numa competição de uma marca de refrigerantes e ganha um carro. Mas quando seus pais a levam para Bucareste para filmar um comercial para a empresa, sua sorte começa a mudar.
Director
Delia, uma adolescente simples de uma pequena cidade do interior da Romênia, entra numa competição de uma marca de refrigerantes e ganha um carro. Mas quando seus pais a levam para Bucareste para filmar um comercial para a empresa, sua sorte começa a mudar.
Writer
Director
Producer
Tavi, a forty-year-old divorced father, comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra does not call him "Daddy" any more. He asks an explanation from his ex-wife...
Screenplay
Tavi, a forty-year-old divorced father, comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra does not call him "Daddy" any more. He asks an explanation from his ex-wife...
Director
Tavi, a forty-year-old divorced father, comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra does not call him "Daddy" any more. He asks an explanation from his ex-wife...
Director
A father and son go to town to try to fix a broken TV set.
Assistant Director
O Sr Lazarescu já se encontra com 63 anos e vive sozinho em um apartamento com seus gatos. Certa manhã levanta se sentindo mal, com dores na cabeça e na barriga, desconfiando que há algum problema com uma cirurgia de úlcera feita há muitos anos atrás. O idoso pede uma ambulância para leva-lo ao hospital mas dois problemas farão com que não seja aceito em nenhum hospital para onde tentam leva-lo: um acidente acontecido na cidade entre um caminhão e um ônibus; e o cheiro de bebida que fará os médicos responsabilizarem o doente por sua condição.
Assistant Director
In a city full of "manele", drugs and illegal car races you don't survive unless you know how to pay. Sometimes with other's lives. Young people today are trying to adapt to a world without consciousness, a world of money, unscrupulous businesses. A film-adrenaline with accents of black humor, irony at the society which is run by large rubble and where life is just a currency.
Director
A tribute to Jonas Mekas
Director
