Isaki Lacuesta

At the end of the 90s, Granada is in the middle of a cultural boom. Los Planetas, the cult Spanish rock band, is about to break up. Mario, a young music-loving student, is the privileged witness of this imminent break-up. Plunged into the heart of their tensions, he will play a role in the mythical history of this group.

At the end of the 90s, Granada is in the middle of a cultural boom. Los Planetas, the cult Spanish rock band, is about to break up. Mario, a young music-loving student, is the privileged witness of this imminent break-up. Plunged into the heart of their tensions, he will play a role in the mythical history of this group.

Ramón e Céline são um jovem casal que assistiu a um concerto no teatro Bataclan em Paris na fatídica noite de 13 de novembro de 2015. Eles sobrevivem ao ataque, mas quando saem do teatro não são mais os mesmos. Aquela noite deixa uma cicatriz profunda na vida de ambos e cada um tenta lidar com as consequências da melhor maneira possível. Céline tenta desesperadamente deixar os eventos para trás, agarrando-se à sua vida anterior, enquanto Ramón repetidamente volta para aquela noite, tentando lembrar e entender o que aconteceu. No entanto, ambos enfrentam a mesma questão-chave: como seguir em frente juntos?

Ramón e Céline são um jovem casal que assistiu a um concerto no teatro Bataclan em Paris na fatídica noite de 13 de novembro de 2015. Eles sobrevivem ao ataque, mas quando saem do teatro não são mais os mesmos. Aquela noite deixa uma cicatriz profunda na vida de ambos e cada um tenta lidar com as consequências da melhor maneira possível. Céline tenta desesperadamente deixar os eventos para trás, agarrando-se à sua vida anterior, enquanto Ramón repetidamente volta para aquela noite, tentando lembrar e entender o que aconteceu. No entanto, ambos enfrentam a mesma questão-chave: como seguir em frente juntos?

Ramón e Céline são um jovem casal que assistiu a um concerto no teatro Bataclan em Paris na fatídica noite de 13 de novembro de 2015. Eles sobrevivem ao ataque, mas quando saem do teatro não são mais os mesmos. Aquela noite deixa uma cicatriz profunda na vida de ambos e cada um tenta lidar com as consequências da melhor maneira possível. Céline tenta desesperadamente deixar os eventos para trás, agarrando-se à sua vida anterior, enquanto Ramón repetidamente volta para aquela noite, tentando lembrar e entender o que aconteceu. No entanto, ambos enfrentam a mesma questão-chave: como seguir em frente juntos?

This documentary recalled the terrible murder of Michelangelo and Maria, an eight-year-old father and daughter, who were murdered after receiving a total of 15 stabs. This terrible event is still to be resolved after the only defendant, Francisco Javier Medina, was acquitted. «Under listening. The defendant ", has his unpublished testimony, as well as" exclusive interviews, scenes shot in the real places of the crime and photographic archive, press and police listening, "they explained in a statement.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

Um adolescente desaparecido retorna depois de oito anos, quando todos já o davam por morto, e se incorpora à vida familiar marcada pelo mistério de seu desaparecimento. Pouco a pouco surge a dúvida se realmente é a criança desaparecida ou um impostor.

Um adolescente desaparecido retorna depois de oito anos, quando todos já o davam por morto, e se incorpora à vida familiar marcada pelo mistério de seu desaparecimento. Pouco a pouco surge a dúvida se realmente é a criança desaparecida ou um impostor.

Um adolescente desaparecido retorna depois de oito anos, quando todos já o davam por morto, e se incorpora à vida familiar marcada pelo mistério de seu desaparecimento. Pouco a pouco surge a dúvida se realmente é a criança desaparecida ou um impostor.

Portrait poem, made for the Eiga Ongaku Project. Included in the collective film "The darkness collection" (special edition)

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Um tributo às vítimas do terremoto Sismo que atingiu o japão no dia onze de março de 2011, onde mais de quinze mil pessoas morreram. Cada diretor convidado elaborou um curta-metragem de três minutos e onze segundos para expressar seus sentimentos em relação a tragédia que abalou o país.

Fiction inspired by the novelistic biography of the painter and writer Francois Augiéras. The artist covered with paints a military bunker in the desert, and let it sink into the sand so no one could find it until the XXI century. The search continues to feed the myth bunker ... Who is Augiéras? ¿Legionnaire, painter, writer, gunman, holy, thief, devil or a mixture of all?

Fiction inspired by the novelistic biography of the painter and writer Francois Augiéras. The artist covered with paints a military bunker in the desert, and let it sink into the sand so no one could find it until the XXI century. The search continues to feed the myth bunker ... Who is Augiéras? ¿Legionnaire, painter, writer, gunman, holy, thief, devil or a mixture of all?

Isaki Lacuesta documentary conceived in collaboration with painter Miquel Barceló. The artist, who lives long periods in Africa, has learned to paint from termites and scorpions, adapting to the conditions of a wild environment. Lacuesta enters the African workshop and film performance Barceló "Pasodoble" represented in the village of Gogolí (Mali). The arrival of the film crew revolutionize the village and arouse the curiosity of their people.

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

A compelling account of Juan Pujol, an extraordinary Spanish double agent during WWII who helped change the course of history.

Two ex-guerrillas meet again 30 years later in an illegal excavation, where they will search for the body of a third companion who disappeared at the time. The tension and secrets hidden during that time will surface as you approach the unpredictable final solution, where not everything will be what it seemed.

Two ex-guerrillas meet again 30 years later in an illegal excavation, where they will search for the body of a third companion who disappeared at the time. The tension and secrets hidden during that time will surface as you approach the unpredictable final solution, where not everything will be what it seemed.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

The project Places that do not Exist (Goggle Earth 1.0) consists of a series of portraits and films of places which do not appear on Google Earth, which we travelled to in order to document their true appearance through vid- eos and photographs, which in the installation were then contrasted with the false vision which we see on Google Earth. These were military grounds and training camps, govern- ment buildings, natural parks where speculators have constructed illegal apartment blocks, nudist beaches... in Spain, Colombia, Ecuador, Russia and Australia. The catalogue of land- scapes which, for various reasons, Google Earth glosses over is endless and often very surprising. The project therefore confronts this unrealistic and yet supposedly objective view of Google Earth from a realistic (yet nevertheless subjective) point of view of the ground-level images we have of these places which, in spite of eve- rything, do exist.

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

A documentary/fiction mix inspired by the flamenco singer Camarón.

A documentary/fiction mix inspired by the flamenco singer Camarón.

In 1918, the poet and boxer Arthur Cravan disappears in the Gulf of Mexico without a trace. Today, another boxer and artist, film director Frank Nicotra, begins an investigation that will take you behind the mysterious steps Cravan from Switzerland to Mexico, passing through Paris, London and Barcelona.

Isaki Lacuesta films two RCR houses