Isaki Lacuesta

At the end of the 90s, Granada is in the middle of a cultural boom. Los Planetas, the cult Spanish rock band, is about to break up. Mario, a young music-loving student, is the privileged witness of this imminent break-up. Plunged into the heart of their tensions, he will play a role in the mythical history of this group.

At the end of the 90s, Granada is in the middle of a cultural boom. Los Planetas, the cult Spanish rock band, is about to break up. Mario, a young music-loving student, is the privileged witness of this imminent break-up. Plunged into the heart of their tensions, he will play a role in the mythical history of this group.

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

This documentary recalled the terrible murder of Michelangelo and Maria, an eight-year-old father and daughter, who were murdered after receiving a total of 15 stabs. This terrible event is still to be resolved after the only defendant, Francisco Javier Medina, was acquitted. «Under listening. The defendant ", has his unpublished testimony, as well as" exclusive interviews, scenes shot in the real places of the crime and photographic archive, press and police listening, "they explained in a statement.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

Portrait poem, made for the Eiga Ongaku Project. Included in the collective film "The darkness collection" (special edition)

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

Fiction inspired by the novelistic biography of the painter and writer Francois Augiéras. The artist covered with paints a military bunker in the desert, and let it sink into the sand so no one could find it until the XXI century. The search continues to feed the myth bunker ... Who is Augiéras? ¿Legionnaire, painter, writer, gunman, holy, thief, devil or a mixture of all?

Fiction inspired by the novelistic biography of the painter and writer Francois Augiéras. The artist covered with paints a military bunker in the desert, and let it sink into the sand so no one could find it until the XXI century. The search continues to feed the myth bunker ... Who is Augiéras? ¿Legionnaire, painter, writer, gunman, holy, thief, devil or a mixture of all?

Isaki Lacuesta documentary conceived in collaboration with painter Miquel Barceló. The artist, who lives long periods in Africa, has learned to paint from termites and scorpions, adapting to the conditions of a wild environment. Lacuesta enters the African workshop and film performance Barceló "Pasodoble" represented in the village of Gogolí (Mali). The arrival of the film crew revolutionize the village and arouse the curiosity of their people.

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

A compelling account of Juan Pujol, an extraordinary Spanish double agent during WWII who helped change the course of history.

Two ex-guerrillas meet again 30 years later in an illegal excavation, where they will search for the body of a third companion who disappeared at the time. The tension and secrets hidden during that time will surface as you approach the unpredictable final solution, where not everything will be what it seemed.

Two ex-guerrillas meet again 30 years later in an illegal excavation, where they will search for the body of a third companion who disappeared at the time. The tension and secrets hidden during that time will surface as you approach the unpredictable final solution, where not everything will be what it seemed.

멀리 스페인과 일본에 떨어져 사는 이사키 라쿠에스타와 가와세 나오미는 비디오로 촬영된 영상을 통해 대화를 나눈다. 이 친밀한 영상 서신들에는 사려 깊고 시적인 정조가 가득하다.

멀리 스페인과 일본에 떨어져 사는 이사키 라쿠에스타와 가와세 나오미는 비디오로 촬영된 영상을 통해 대화를 나눈다. 이 친밀한 영상 서신들에는 사려 깊고 시적인 정조가 가득하다.

멀리 스페인과 일본에 떨어져 사는 이사키 라쿠에스타와 가와세 나오미는 비디오로 촬영된 영상을 통해 대화를 나눈다. 이 친밀한 영상 서신들에는 사려 깊고 시적인 정조가 가득하다.

The project Places that do not Exist (Goggle Earth 1.0) consists of a series of portraits and films of places which do not appear on Google Earth, which we travelled to in order to document their true appearance through vid- eos and photographs, which in the installation were then contrasted with the false vision which we see on Google Earth. These were military grounds and training camps, govern- ment buildings, natural parks where speculators have constructed illegal apartment blocks, nudist beaches... in Spain, Colombia, Ecuador, Russia and Australia. The catalogue of land- scapes which, for various reasons, Google Earth glosses over is endless and often very surprising. The project therefore confronts this unrealistic and yet supposedly objective view of Google Earth from a realistic (yet nevertheless subjective) point of view of the ground-level images we have of these places which, in spite of eve- rything, do exist.

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

전설적인 스페인 플라멩코 가수 카마론에게 영감을 받아 만든 작품으로 픽션과 다큐멘터리의 경계를 묘하게 허물고 있다. 감독은 카마론의 음악과 당시 문화적인 충격에 대한 이야기를 영화적으로 구성하는데 집중했다. 카마론의 고향 산페르난도에서 살고 있는 소년 이스라는 사람들 앞에서 노래를 하는데 타고난 재능이 있다. 그러나 아버지의 죽음으로 충격을 받아 더 이상 노래를 할 수 없게 된다. 소녀 마키코는 일본에서 산페르난도로 찾아오고, 전설의 카마론처럼 노래할 수 있는 방법을 찾기 위해 수소문한다.

전설적인 스페인 플라멩코 가수 카마론에게 영감을 받아 만든 작품으로 픽션과 다큐멘터리의 경계를 묘하게 허물고 있다. 감독은 카마론의 음악과 당시 문화적인 충격에 대한 이야기를 영화적으로 구성하는데 집중했다. 카마론의 고향 산페르난도에서 살고 있는 소년 이스라는 사람들 앞에서 노래를 하는데 타고난 재능이 있다. 그러나 아버지의 죽음으로 충격을 받아 더 이상 노래를 할 수 없게 된다. 소녀 마키코는 일본에서 산페르난도로 찾아오고, 전설의 카마론처럼 노래할 수 있는 방법을 찾기 위해 수소문한다.

In 1918, the poet and boxer Arthur Cravan disappears in the Gulf of Mexico without a trace. Today, another boxer and artist, film director Frank Nicotra, begins an investigation that will take you behind the mysterious steps Cravan from Switzerland to Mexico, passing through Paris, London and Barcelona.

Isaki Lacuesta films two RCR houses