Raymond St-Amand
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
Father
Lucie (Mylène Jampanoï), uma menina de dez anos que desapareceu meses atrás, é encontrada em uma estrada, desorientada, sem lembrar de nada que aconteceu. Seu corpo está todo maltratado e as razões de seu desaparecimento são um mistério. Internada em um hospital pelos traumas causados, ela faz amizade com outra menina chamada Anna (Morjana Alaoui). Quinze anos depois dessa terrível experiência, Lucie embarca em uma sangrenta vingança contra os seus opressores, ou quem ela acredita que são.
Gaston Francoeur
An adult Martin Roy reminisces about his life in the 1966/67 school year. At fifteen years old and in his last year of junior high school, he breathed, ate and slept hockey. He collected hockey cards, played street hockey with his friends, tried skating and ice hockey for the first time in his life, but was most fascinated with his local national league team, the Montréal Canadiens, and its star player, Henri Richard. He dreamed of growing up and working for the Canadiens franchise. But a more immediate goal was to get tickets to one of their games, using M. Richard and his banker father, Hervé, as possible conduits to that goal.
M. Fortin (le professeur)
Juan Alvarez, a Spanish refugee in Canada, shoemaker, picks up at his home Manuel, a 12-year-old Portuguese teenager, whom he teaches to read, to assert his rights and who speaks of the Spanish civil war.