Stefano Rulli

Conhecido como Samurai, um gângster deseja transformar a orla de uma pequena cidade perto de Roma em uma nova Atlantic City, repleta de cassinos. Um político corrupto apaixonado por prostitutas e cocaína está protegendo o criminoso com a ajuda de um poderoso cardeal. Os chefes da máfia local concordam com o projeto e trabalham para esse objetivo em comum, porém, uma guerra entre as gangues parece acabar com os futuros sonhos de Samurai.

The life of Italian journalist and writer Oriana Fallaci.

Em Roma, nos anos 1970, o relacionamento entre o artista Guido e sua esposa Serena passa por dificuldades. Enquanto ele não esconde a atração cada vez maior por suas modelos, ela começa a pensar se não deveria também experimentar as paixões extraconjugais. Enquanto isso, os dois filhos do casal observam as brigas, os amores e as manipulações em família.

Em Roma, nos anos 1970, o relacionamento entre o artista Guido e sua esposa Serena passa por dificuldades. Enquanto ele não esconde a atração cada vez maior por suas modelos, ela começa a pensar se não deveria também experimentar as paixões extraconjugais. Enquanto isso, os dois filhos do casal observam as brigas, os amores e as manipulações em família.

Sibéria. Em uma pequena comunidade um grupo de mafiosos ensina crianças a lidarem com a violência desde bem pequenas. Mais do que educação, um incentivo para que, quando crescerem, tornem-se membros da máfia russa.

Eluana Englaro é uma italiana de 38 anos que está há 17 anos em um estado vegetativo, em coma desde um acidente de trânsito. Seus pais lutam na justiça para conseguir autorização pela opção de deixar a filha morrer, mas a eutanásia não é permitida pela lei neste caso. A história de Eluana reflete na vida de outras pessoas, como a mãe, que cuida da filha em coma. Com o posicionamento da igreja, questões delicadas envolvendo escolhas, respeito, amor e esperança vêm à tona.

On December 12, 1969, a bomb kills 17 people and injures many more at a major national bank in Milan, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but an investigator uncovers a larger subversive project made of far-right fringe groups, corrupt secret services, and other interests that seek to undermine democracy.

On December 12, 1969, a bomb kills 17 people and injures many more at a major national bank in Milan, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but an investigator uncovers a larger subversive project made of far-right fringe groups, corrupt secret services, and other interests that seek to undermine democracy.

Claudio, operário da construção civil, trabalha numa obra na periferia de Roma. Ele ama a sua mulher, grávida do terceiro filho de ambos. Um drama inesperado vai desordenar bruscamente a indolência desta vida simples e feliz. Para sobreviver, Claudio irá afrontar com raiva a injustiça social que o toca no seu íntimo. O apoio da sua família, dos seus amigos e o amor dos seus filhos ajudarão Claudio a realizar o desafio da vida.

Claudio, operário da construção civil, trabalha numa obra na periferia de Roma. Ele ama a sua mulher, grávida do terceiro filho de ambos. Um drama inesperado vai desordenar bruscamente a indolência desta vida simples e feliz. Para sobreviver, Claudio irá afrontar com raiva a injustiça social que o toca no seu íntimo. O apoio da sua família, dos seus amigos e o amor dos seus filhos ajudarão Claudio a realizar o desafio da vida.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Accio and Manrico are two working-class brothers in 1960s Italy: older Manrico is handsome, charismatic, womanizing, and loved by all, while younger Accio is moody, hotheaded, and lives everything as if it was a war, much to his parents' chagrin. When the former is drawn into left-wing politics, Accio joins the fascists out of spite. His flimsy beliefs are put to test when he meets Manrico's like-minded girlfriend, falling in love with her.

Accio and Manrico are two working-class brothers in 1960s Italy: older Manrico is handsome, charismatic, womanizing, and loved by all, while younger Accio is moody, hotheaded, and lives everything as if it was a war, much to his parents' chagrin. When the former is drawn into left-wing politics, Accio joins the fascists out of spite. His flimsy beliefs are put to test when he meets Manrico's like-minded girlfriend, falling in love with her.

A história do criminoso conhecido como 'O Libanês' e de seus dois amigos, que, juntos, entre as décadas de 70 a 90, conquistaram o submundo do crime italiano. Em paralelo, o filme mostra o tenente de polícia Scialoia, que enquanto tenta prender o grupo persegue também a bela Patrizia, amor de sua vida, que possui ligações criminosas.

A história do criminoso conhecido como 'O Libanês' e de seus dois amigos, que, juntos, entre as décadas de 70 a 90, conquistaram o submundo do crime italiano. Em paralelo, o filme mostra o tenente de polícia Scialoia, que enquanto tenta prender o grupo persegue também a bela Patrizia, amor de sua vida, que possui ligações criminosas.

Sandro é um menino rico de 12 anos que acompanha o pai e um amigo num cruzeiro de barco pelo Mediterrâneo. No meio da noite, quando os dois adultos estão distraídos, o garoto cai ao mar e quase se afoga. É resgatado posteriormente por uma embarcação, tornando-se mais um integrante da população de um verdadeiro navio negreiro dos tempos modernos, repleto de imigrantes ilegais de todas as procedências. Gente em busca de uma nova oportunidade que é explorada por europeus e submetida a condições subumanas. Quando finalmente o menino retorna à sua família, procura fazer com que os pais adotem o rapaz que o ajudou e sua irmã. A partir daí, coloca-se o conflito entre os imigrantes e os seus anfitriões, divididos por necessidades muito diferentes. Um drama sóbrio, do mesmo diretor de “A Melhor Juventude”.

Cefalonia tells the real story about what happened in September 1943 on the Greek island of Kefalonia (Cefalonia in Italian), when the 12,000 men in the Italian 33rd Acqui Infantry Division, following Italy's surrender to the Allied, refused to put themselves under German command and also refused to surrender their weapons. The local German force, supported by Stuka dive-bombers and additional troops, attacked the Italians and after several days of combat the Italians surrendered, having lost 1,300 men. As punishment, the German High Command ordered that all surviving Italians should be executed. Some 5,000 were executed during a week of killings. A handful were rescued by locals and the Greek guerrilla, while the rest were shipped off as prisoners, whereof 3,000 drowned when their ships hit mines. The film "Captain Corelli's Mandolin" is based on a novel about the Italian occupation of Cefalonia, but the massacre was much toned down in the Hollywood version.

A Donatello award nominated documentary following the life of an autistic boy and his family.

A Donatello award nominated documentary following the life of an autistic boy and his family.

A Donatello award nominated documentary following the life of an autistic boy and his family.

Paolo (Andrea Rossi) tem 15 anos e sofre de deficiências físicas e psicológicas provocadas pelo parto, que culminou com a morte de sua mãe. Criado pelos tios na Itália, Paolo precisa viajar anualmente até um hospital de Berlim para terapia de reabilitação. Seu pai, Gianni (Kim Rossi Stuart), aparece para acompanhá-lo pela 1ª vez durante a viagem, numa tentativa de se aproximar do filho. Suas vidas se transformam quando eles encontram Nicole (Charlotte Rampling), uma mulher forte que se dedica de corpo e alma aos cuidados de sua filha deficiente.

Os irmãos Nicola e Matteo tem as vidas transformadas após tentarem resgatar uma jovem que sofria torturas em um manicômio na década de 60. O filme conta desde então os acontecimentos da vida dos dois rapazes até os dias atuais.

Os irmãos Nicola e Matteo tem as vidas transformadas após tentarem resgatar uma jovem que sofria torturas em um manicômio na década de 60. O filme conta desde então os acontecimentos da vida dos dois rapazes até os dias atuais.

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

Minissérie de televisão dividia em dois capítulos e produzido pela Rai Cinema e RaiFiction (depois incorporada pela RaiCinemafiction) e dirigido por Andrea Frazzi e AntonioFrazzi . Relata a vida do padre Lorenzo Milani que viveu em Barbiana, uma pequena aldeia no controle remoto Jupiters montanha que ele definiu como "uma igreja cercada por algumas casas espalhadas aqui e ali." A miséria e solidão gerava loucura entre os moradores, por isso Don Lorenzo sempre tentou o melhor para ajudar os pobres, incluindo a construção de uma escola para os jovens para que um dia poderia ajudar economicamente os pais. Don Milani, que sofre de uma doença grave, por algum tempo, morreu em Florença, em casa de seus pais, na manhã de 26 de junho de 1967.

Although liberated from Auschwitz on January 27, 1945, Levi did not reach Turin until October 19 of that year. After spending some time in a Soviet camp for former concentration camp inmates, he embarked on an arduous journey home in the company of Italian former prisoners of war from the Italian Army in Russia. His long railway journey home to Turin took him on a circuitous route from Poland, through Russia, Romania, Hungary, Austria and Germany.

Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.

Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.

Filme de investigação que dá destaque à figura de Giuseppe Pelosi, assassino de Pier Paolo Pasolini. Mais do que uma memória do diretor e escritor, uma análise da pista alternativa sobre o caso Pasolini não teria sido um crime passional entre os homossexuais, mas o último ato de uma conspiração chocado por o poder de eliminar uma voz estranha, crítico em o governo. Mas no filme, a questão permanece, é claro, não resolvido.

Filme de investigação que dá destaque à figura de Giuseppe Pelosi, assassino de Pier Paolo Pasolini. Mais do que uma memória do diretor e escritor, uma análise da pista alternativa sobre o caso Pasolini não teria sido um crime passional entre os homossexuais, mas o último ato de uma conspiração chocado por o poder de eliminar uma voz estranha, crítico em o governo. Mas no filme, a questão permanece, é claro, não resolvido.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

A collective short film made of nine segments characterized by a critical and pessimistic attitude towards the future of Italy in the wake of the political rise of Silvio Berlusconi ahead of the 1994 general elections.

After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former company and smuggles it in Hungary to sell it for a large sum of money.

After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former company and smuggles it in Hungary to sell it for a large sum of money.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Giulì is a traveling puppeteer who meets Viola, a young ferrywoman who transports passengers on a raft. Giulì's desire is to have a child, so he builds one out of wood. One morning, in place of the puppet , he finds a child of flesh and blood.

Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.

A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."

Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."