Stefano Rulli

2011년 11월, 혼돈의 이탈리아. 국회는 최악의 경제난에도 수부라 유흥 지구의 재개발법을 밀어붙이고, 여당의 정치인은 성매매 도중 어린 매춘부가 현장에서 마약쇼크로 죽는 사고가 발생한다. 하지만 사체 유기에 가담한 마피아는 오히려 정치인을 협박해 재개발 사업의 이권을 요구하고 나선다. 그리고 마침내 수부라 지역을 둘러싸고 정치권, 종교계, 마피아간의 거대한 음모가 하나 둘씩 드러나며 걷잡을 수 없는 범죄 전쟁이 시작되는데....

The life of Italian journalist and writer Oriana Fallaci.

A narcissistic artist's world turns upside down after his wife's affair and a disastrous exhibition of his work.

A narcissistic artist's world turns upside down after his wife's affair and a disastrous exhibition of his work.

유년시절, 시베리아의 범죄조직 안에서 함께 교육을 받으며 자란 절친한 친구 콜리마와 가가린. 모든 것이 빠르게 변해가는 세상 속에서 콜리마와 가가린은 조직의 엄격한 규칙 때문에 갈등을 일으키고, 배신과 복수라는 비극적 운명 속에 놓이게 되는데… 서로의 심장에 칼을 겨눌 수 밖에 없었던 두 남자의 거친 드라마가 시작된다.

17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다. 이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)

On December 12, 1969, a bomb kills 17 people and injures many more at a major national bank in Milan, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but an investigator uncovers a larger subversive project made of far-right fringe groups, corrupt secret services, and other interests that seek to undermine democracy.

On December 12, 1969, a bomb kills 17 people and injures many more at a major national bank in Milan, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but an investigator uncovers a larger subversive project made of far-right fringe groups, corrupt secret services, and other interests that seek to undermine democracy.

Claudio is a construction worker living in the outskirts of Rome. He's happily married and his wife is pregnant with their third child. However, a dramatic event comes to upset this simple and happy life.

Claudio is a construction worker living in the outskirts of Rome. He's happily married and his wife is pregnant with their third child. However, a dramatic event comes to upset this simple and happy life.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Accio and Manrico are two working-class brothers in 1960s Italy: older Manrico is handsome, charismatic, womanizing, and loved by all, while younger Accio is moody, hotheaded, and lives everything as if it was a war, much to his parents' chagrin. When the former is drawn into left-wing politics, Accio joins the fascists out of spite. His flimsy beliefs are put to test when he meets Manrico's like-minded girlfriend, falling in love with her.

Accio and Manrico are two working-class brothers in 1960s Italy: older Manrico is handsome, charismatic, womanizing, and loved by all, while younger Accio is moody, hotheaded, and lives everything as if it was a war, much to his parents' chagrin. When the former is drawn into left-wing politics, Accio joins the fascists out of spite. His flimsy beliefs are put to test when he meets Manrico's like-minded girlfriend, falling in love with her.

After serving prison time for a juvenile offense, Freddo gathers his old buddies Libano and Dandi and embarks on a crime spree that makes the trio the most powerful gangsters in Rome. Libano loves their new status, and seeks to spread their influence throughout the underworld, while the other two pursue more fleshly desires. For decades, their gang perpetrates extravagant crimes, until paranoia threatens to split the friends apart.

After serving prison time for a juvenile offense, Freddo gathers his old buddies Libano and Dandi and embarks on a crime spree that makes the trio the most powerful gangsters in Rome. Libano loves their new status, and seeks to spread their influence throughout the underworld, while the other two pursue more fleshly desires. For decades, their gang perpetrates extravagant crimes, until paranoia threatens to split the friends apart.

The life of a Northern Italian middle-class family is turned upside down after their 12-year-old son falls overboard during a sea trip, only to be picked up by a boat of illegal immigrants.

Cefalonia tells the real story about what happened in September 1943 on the Greek island of Kefalonia (Cefalonia in Italian), when the 12,000 men in the Italian 33rd Acqui Infantry Division, following Italy's surrender to the Allied, refused to put themselves under German command and also refused to surrender their weapons. The local German force, supported by Stuka dive-bombers and additional troops, attacked the Italians and after several days of combat the Italians surrendered, having lost 1,300 men. As punishment, the German High Command ordered that all surviving Italians should be executed. Some 5,000 were executed during a week of killings. A handful were rescued by locals and the Greek guerrilla, while the rest were shipped off as prisoners, whereof 3,000 drowned when their ships hit mines. The film "Captain Corelli's Mandolin" is based on a novel about the Italian occupation of Cefalonia, but the massacre was much toned down in the Hollywood version.

A Donatello award nominated documentary following the life of an autistic boy and his family.

A Donatello award nominated documentary following the life of an autistic boy and his family.

A Donatello award nominated documentary following the life of an autistic boy and his family.

Meeting his handicapped son for the first time, a young father attempts to forge a relationship with the teenager.

영화는 1966년부터 2003년까지의 시간이 로마 중류층 가정 카라티의 두 형제 니콜라와 마테오를 축으로 보여준다. 니콜라(루이지 로 카시오)는 침착하고 다정하고 쾌활한 의대생이며 마테오(알레시오 보니)는 반항적이고 격정적인 철학도이다. 형제는 모두 자유와 사회개혁을 꿈꾸는 이상주의자이다. 둘은 서로 극단적으로 상반된 길을 가고 두 형제의 삶과 국가의 소용돌이치는 역사가 서로 뒤엉킨다. 60년대 플로렌스 대홍수 복구사업장에서 정신과 의사 공부를 하는 니콜라와 순간적으로 대학을 중퇴하고 군인이 된 마테오가 헤어졌다 오랜만에 다시 만난다. 여기서 니콜라는 허무주의 정치사상을 가지고 후에 테러단 붉은 연대와 관계를 맺는 아름다운 음악학도 줄리아(소니아 베르가마스코)와 사랑에 빠지고 그녀는 나중에 니콜라의 아내가 된다. 두 형제의 재회의 기쁨은 얼마가지 못하고 다시 둘은 헤어진다. 또 니콜라는 이탈리아 북부 투린의 대학으로 전학을 가고 여기서 일어나는 격렬한 노동투쟁에 끼여든다. 한편 경찰이 된 마테오가 시위진압에 투입되면서 다시 두 형제는 서로 정반대 편에 서서 만난다. 영화는 니콜라와 마테오 그리고 이들의 친구와 가족과 주변 인물들을 둘러싸고 붉은 연대의 테러, 나라를 뒤흔든 정치 스캔들, 시실리의 반마피아 운동 그리고 월드컵 축구 등 굵직굵직한 이탈리아의 역사들이 커다란 그림을 그린다.

영화는 1966년부터 2003년까지의 시간이 로마 중류층 가정 카라티의 두 형제 니콜라와 마테오를 축으로 보여준다. 니콜라(루이지 로 카시오)는 침착하고 다정하고 쾌활한 의대생이며 마테오(알레시오 보니)는 반항적이고 격정적인 철학도이다. 형제는 모두 자유와 사회개혁을 꿈꾸는 이상주의자이다. 둘은 서로 극단적으로 상반된 길을 가고 두 형제의 삶과 국가의 소용돌이치는 역사가 서로 뒤엉킨다. 60년대 플로렌스 대홍수 복구사업장에서 정신과 의사 공부를 하는 니콜라와 순간적으로 대학을 중퇴하고 군인이 된 마테오가 헤어졌다 오랜만에 다시 만난다. 여기서 니콜라는 허무주의 정치사상을 가지고 후에 테러단 붉은 연대와 관계를 맺는 아름다운 음악학도 줄리아(소니아 베르가마스코)와 사랑에 빠지고 그녀는 나중에 니콜라의 아내가 된다. 두 형제의 재회의 기쁨은 얼마가지 못하고 다시 둘은 헤어진다. 또 니콜라는 이탈리아 북부 투린의 대학으로 전학을 가고 여기서 일어나는 격렬한 노동투쟁에 끼여든다. 한편 경찰이 된 마테오가 시위진압에 투입되면서 다시 두 형제는 서로 정반대 편에 서서 만난다. 영화는 니콜라와 마테오 그리고 이들의 친구와 가족과 주변 인물들을 둘러싸고 붉은 연대의 테러, 나라를 뒤흔든 정치 스캔들, 시실리의 반마피아 운동 그리고 월드컵 축구 등 굵직굵직한 이탈리아의 역사들이 커다란 그림을 그린다.

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

Although liberated from Auschwitz on January 27, 1945, Levi did not reach Turin until October 19 of that year. After spending some time in a Soviet camp for former concentration camp inmates, he embarked on an arduous journey home in the company of Italian former prisoners of war from the Italian Army in Russia. His long railway journey home to Turin took him on a circuitous route from Poland, through Russia, Romania, Hungary, Austria and Germany.

Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.

Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.

1975: poet, intellectual, and filmmaker Pier Paolo Pasolini is bludgeoned to death and run over with his own car in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads self-defense -- after all, Pasolini was a well-known pederast. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?

1975: poet, intellectual, and filmmaker Pier Paolo Pasolini is bludgeoned to death and run over with his own car in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads self-defense -- after all, Pasolini was a well-known pederast. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

A collective short film made of nine segments characterized by a critical and pessimistic attitude towards the future of Italy in the wake of the political rise of Silvio Berlusconi ahead of the 1994 general elections.

After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former company and smuggles it in Hungary to sell it for a large sum of money.

After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former company and smuggles it in Hungary to sell it for a large sum of money.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Giulì is a traveling puppeteer who meets Viola, a young ferrywoman who transports passengers on a raft. Giulì's desire is to have a child, so he builds one out of wood. One morning, in place of the puppet , he finds a child of flesh and blood.

Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.

A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."

Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."