Andrey Dergachev

The chapters of a Russian funeral procession offer a meditation on ritual and loss.

A heartbreaking portrait of 16-year-old Ukrainian refugees Andrey and Alisa, who help out at a school for refugee children in Budapest. Andrey asks the children to draw pictures of something from back home in Ukraine. What beautiful things can they recall? He offers the example of his own grandfather’s cherry orchard. The children use confrontational, adult vocabulary to describe their experiences of war. A young boy earnestly goes through a number of battle strategies, and a girl provides a vivid account of a rocket attack.

A heartbreaking portrait of 16-year-old Ukrainian refugees Andrey and Alisa, who help out at a school for refugee children in Budapest. Andrey asks the children to draw pictures of something from back home in Ukraine. What beautiful things can they recall? He offers the example of his own grandfather’s cherry orchard. The children use confrontational, adult vocabulary to describe their experiences of war. A young boy earnestly goes through a number of battle strategies, and a girl provides a vivid account of a rocket attack.

This is ‘a road movie’ encapsulated in the Moscow metro system and filmed over the course of one year: a documentary film that observes cultural and social issues in modern Russia.

A sprawling meditation on the choreography of bodies in Moscow's urban landscape, Detours depicts a new way of dealing illicit drugs via the Darknet, the layering of the physical and the virtual realities, as well as a poetics, and politics, of space. Taking place in sleepy neighbourhoods, among the concrete walls of high-rises, behind garages and amidst abandoned railroads, the film alternately follows and loses track of Denis, the treasureman who hides stashes of drugs all over the city.

The plot of the film is based on the large-scale reconstruction of the historical building of the HPP-2 power plant on Bolotnaya Embankment under the direction of architect Renzo Piano and the transformation of the power plant into a cultural institution and a cultural house of the V-A-C foundation, founded by Leonid Mikhelson. For five years, the process of fixing this reincarnation was carried out. The basis of the shooting method was the desire to show big events through the prism of the interaction of art and life of the construction site and the V-A-C foundation, through small details, through the people who are doing it all.

Dmitry is a Russian emigrant living in London with his wife and son. He is one of the most successful venture capitalists in the world. He has everything, but at 46 years and 7 months he realizes that one day he will die. Dmitry creates a fund investing in life-extension technologies.

The water flows on the surface of the Earth and in the underworld, this substance connects both sides of the river as margins of life. The narration is holding out the silhouette from the sketch of an artist to the symbolism of the ancient world reading small gestures. This film accommodates artist’s works by giving them a role of an oracle.

From the Barents Sea, a chill wind seems to blow constantly across a semi-deserted town at the edge of the world. Nevertheless, a little community holds out here. In a flawlessly filmed portrait of this extraordinary place, the theme linking the residents is their determination to chart their own course. Bardak was a marine, but his garrison broke up and his comrades sought a better life elsewhere. He stayed behind among the many empty buildings that are slowly but surely being consumed by the elements. Meanwhile, Dima, a young poacher​, flouts as many rules as he can, but gives friendly directions to lost tourists and reads lovingly to his little daughter. Ferryman Alexander is locked in a silent generational battle with his teenage daughter Masha; her eyes are on the outside world. Further along, a little team of ships from the Second World War turns up, and a woman steadfastly runs a weather station.

The picture is about the inexplicable property of a person to fill with energy and life even the most frightening and abandoned places. This is a portrait of the abandoned city of New Idrija and the last years of the lives of those who spent their youth in believing in an alternative version of the “American Dream”.

Para passar a noite com sua amante, um capataz manda o marido dela, que é seu colega, para uma perigosa mina de carvão. Após um desmoronamento, o mineiro se vê enterrado, sem saída.

The Northerners is a cycle of film essays with a focus on northern individualism. Each one of the three parts plays out in different places around the Kola Peninsula over one day. The story revolves around the everyday life of three people who share no formal ties. Igor, who belongs to a dynasty of pilots, is a polar aviation squad commander; Vasily is a tug master at Murmansk’s commercial port; Volodya is a woodcutter, leader of a logging guild. Like most of those living in the north of Russia, they came here for work, and though they weren’t initially planning on staying, they ended up staying forever.

Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".

A girl — or a woman — in a bright red scarf, with a soft toy mouse in her arms. To look at her, you wouldn’t guess that she’s 50 and has been homeless for three years. Her incredible passion to live prevents her from freezing on the cold streets of Moscow.

Boris e Zhenya estão se divorciando. Depois de anos juntos, os dois se preparam para suas novas vidas: ele com sua nova namorada, que está grávida, e ela com seu parceiro rico. Com tantas preocupações eles acabam não dando atenção ao filho Alyosha, que acaba desaparecendo misteriosamente.

Zhanel is trapped in a life devoid of purpose. Unable to face the real world, she finds safe harbor in her wild and beautiful dreams. With the help of a psychiatrist she meets in her dreamscape, Zhanel tackles her problems and discovers her deeper self.

A story about a friendship between talented famous musician and eleven years old girl.

Numa península do Mar de Barents, no Ártico, um pai de família (Aleksey Serebryakov) luta contra os desmandos de um prefeito corrupto. Para enfrentar o político que tenta desalojá-lo, ele recorre a um colega de Moscou.

Numa península do Mar de Barents, no Ártico, um pai de família (Aleksey Serebryakov) luta contra os desmandos de um prefeito corrupto. Para enfrentar o político que tenta desalojá-lo, ele recorre a um colega de Moscou.

A young Hungarian woman (played by Hungarian actress Orsi Tóth) wakes up inside a crashed car in the middle of nowhere, not knowing where her brother Isti is. Upset and alone, she leaves aboard a cargo ship to keep a promise she made to him. Once at sea, she withdraws into a dream world and loses grip on her life completely.

A young boy picks up his father's camera, with which he accidentally films a dying romance between a man and a woman-

Um homem vai com a família passar um tempo no campo, em uma casa isolada. Sua mulher começa a dar alguns sinais de perturbação e quando acuada revela que está grávida, e que o filho não é do marido. Imerso em uma mistura de surpresa, ódio e e incerteza, ele precisa decidir agora o que fazer.

Na Rússia selvagem, dois irmãos enfrentam uma série de novas e conflituantes emoções quando o seu pai - um homem que eles conhecem apenas através de uma única fotografia - ressurge. Este leva os rapazes de férias para uma ilha remota num lago, o que se transforma num teste de masculinidade de proporções quase míticas.