Jacques Blain

A former French soldier who fought in Afghanistan, lives in solitude in Montreal. The trauma caused by his memories of the conflict leads him towards an unhealthy relationship with women.

With his marriage to Audrey almost at an end, Ben begins a torrid affair with Mercedes, a young French student in his writing class. The affair soon spins out of control, their emotions and Ben and Audrey's family hanging in the balance.

Esta é uma história de dois casos de amor. Um amor de um pai pelos seus cinco filhos e o amor de um filho pelo pai. Um amor tão forte capaz de fazê-lo viver uma mentira. Uma mística fábula sobre os dias modernos, C.R.A.Z.Y expõe a beleza, poesia e loucura do espírito humano e todas as suas contradições. O filho, Zac Beaulieu, nascido em 25 de dezembro de 1960, é diferente de todos os irmãos e tenta desesperadamente encaixar-se. Durante 20 anos, a vida o guiará por caminhos inesperados e surpreendentes, levando-o a aceitar sua verdadeira natureza e, ainda mais importante, levando seu pai a amá-lo como realmente é.

An adulterous man married to a wealthy Realtor plans on killing his wife with the assistance of his young lover. Little does the cheating husband know that his young lover is planning to blackmail him.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

This feature film made during an exceptionally feverish period of popular revolt that saw the coming together of Quebec’s 3 main unions (CSN, FTQ, CEQ) is a cinematic tract by socially engaged filmmaker Gilles Groulx. Propped against the backdrop of the 1970 October Crisis, the film is a frontal assault denouncing a “consumer society” viewed as the ultimate embodiment of evil.