Bernard Sasia

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

Daniel sai da prisão. Ele retorna a Marselha, onde Mathilda, sua filha, acaba de dar à luz. Nicolas, seu marido, um motorista autônomo, está exausto, enquanto Mathilda é assistente de vendas em caráter experimental. Mas uma noite, Nicolas é assaltado por taxistas determinados a reduzir a concorrência desleal.

A disassembly / reassembly of 58 films by Jean-Pierre Mocky, the editor becoming the director and the hero of his own film.

​Em uma pequena baía nos arredores de Marselha, um homem velho espera pela morte em sua pitoresca vila. A fim de acompanhá-lo em seus últimos dias, seus três filhos se reúnem para, ao lado do pai, ponderar sobre o que herdaram de seus ideais e da comunidade espiritual criada neste lugar mágico. A chegada de um grupo a uma enseada próxima irá submeter esses momentos de reflexão a uma intensa turbulência.

Quiet 16-year-old Louis, the high school headmaster’s son, has never been in trouble. His best friend, 18-year-old Greg, however, is his polar opposite: provocative, angry, violent, he has been kicked out of school for physically threatening young English teacher Camille. When Greg asks Louis to help him take revenge on Camille, Louis accepts, fascinated...

Apesar de ter perdido o emprego, Michel vive feliz com Marie-Claire. Amam-se há trinta anos, os filhos e os netos preenchem a sua vida, têm amigos muito chegados, orgulham-se dos seus combates sindicais e políticos e as suas consciências são tão transparentes como os seus olhares. Mas esta felicidade vai desmoronar-se juntamente a fechadura da porta perante o assalto de dois homens armados e mascarados que lhes batem, os amarram, lhes arrancam as alianças e fogem com os cartões de crédito de ambos. O choque será ainda mais violento quando souberem que esta brutal agressão foi organizada por um dos jovens operários da sua comunidade...

Numa Paris ocupada pelas tropas alemãs, o operário Missak Manouchian encabeça uma pequena resistência formada por jovens comunistas. Por sua coragem, vão se tornando lenda de um combate desigual contra as tropas nazis.

Elsa, a woman with a long history of depression in the midst of a divorce from her husband of 12 years develops an obsession with a seven year old girl she sees at a birthday party when she comes to pick up her son Thomas. Determined to find out more about the girl, Elsa uses Thomas as a way into the girl's family by aiding to develop a friendship between Thomas and the girl's brother Jeremy so that in turn Elsa can then befriend the girl's mother Claire. She uses Thomas more and more in her pursuit of this obsession telling her employer and fellow employees that Thomas is seriously ill so that she can run off watch the girl (Lola) wherever she goes. Elsa even tells her parents lies that she is going out with a friend so they will baby-sit so Elsa can even go as far as hiding in the bushes outside of Lola's house and watching her at night.

A young journalist (Lespert) helps the French President compile his memoirs.

Le Cou de la girafe (The Giraffe's Neck) is a 2004 French/Belgian film directed by Safy Nebbou.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

Marie-Jo and Her Two Lovers (French: Marie-Jo et ses deux amours) is a 2002 French drama film directed by Robert Guédiguian. It was entered into the 2002 Cannes Film Festival.

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.

No bairro popular de l'Estaque, ao norte de Marselha, Jeanette cria sozinha seus dois filhos com um magro salário de caixa. Ela mora numa casa minúscula que dá para um pátio compartilhado com seus amigos e vizinhos. Já Marius vive sozinho, numa fábrica de cimento desativada.